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  1. The Assistant is a 2019 American drama film written, directed, produced, and edited by Kitty Green. The film stars Julia Garner as a junior assistant at a film production company. Matthew Macfadyen, Makenzie Leigh, Kristine Froseth, Jon Orsini, and Noah Robbins also star.

  2. Jan 31, 2020 · The Assistant: Directed by Kitty Green. With Julia Garner, Owen Holland, Jon Orsini, Rory Kulz. A searing look at a day in the life of an assistant to a powerful executive.

  3. Julia Garner plays Jane, an assistant at a movie production company (obviously modeled on Miramax), located in a couple of buildings in lower Manhattan. Jane has only been on the job for 5 weeks, and is fully acclimated (or indoctrinated) to the semi-terrifying office culture.

  4. Jan 31, 2020 · Jane, a recent college graduate and aspiring film producer, just landed her dream job as a junior assistant to a powerful entertainment mogul.

    • (245)
    • Drama
    • R
  5. Whenever Jane does something her boss deems a mistake, he verbally abuses her over the phone as her two male junior assistant coworkers (Jon Orsini and Noah Robbins) watch silently.

  6. Jan 29, 2020 · The genius of The Assistant (clearly modeled on Chantal Akerman’s 1975 feminist masterpiece Jeanne Dielman, 23 Commerce Quay, 1080 Brussels) is that we don’t see the “Weinstein” character...

  7. Jan 30, 2020 · Julia Garner is magnificent as a conflicted staffer to a serial sexual predator in this powerfully muted drama.

  8. Apr 29, 2020 · Kitty Green’s terrific new film deals with Harvey Weinstein and #MeToo accusations in an truthful way, following one harrowing day for an assistant (Julia Garner) at a film production office ...

  9. Dec 5, 2019 · THE ASSISTANT Trailer (2020) Julia Garner, Drama Movie© 2019 - Bleecker Street

  10. www.metacritic.com › movie › the-assistantThe Assistant - Metacritic

    Jan 31, 2020 · Understated and characterized by frightening realism, The Assistant is a tense, atmospheric, and crucial film that highlights patriarchal toxicity in the workplace and brilliantly places the experience of the victim (and not the perpetrator) at the center of the story.

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