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Michael Derek Elworthy Jarman (31 January 1942 – 19 February 1994) was an English artist, film maker, costume designer, stage designer, writer, poet, gardener, and gay rights activist. Biography [ edit ]
IMDb provides an overview of the life and work of Derek Jarman, a British director, cinematographer, editor and artist. Learn about his experimental films, his HIV/AIDS activism, his adaptations of Shakespeare and Caravaggio, and his awards and tributes.
- January 1, 1
- London, England, UK
- January 1, 1
- London, England, UK
- Jubilee (1978) A time-travelling Queen Elizabeth I and occultist John Dee are our bewildered companions through late 70s punk Britain. What we see isn’t pretty – crime and disorder plague the streets and punks kill and castrate for sick kicks.
- Caravaggio (1986) One of Jarman’s most beautiful and accessible films, his imaginative biopic of the Italian Baroque painter was the first of his many feature collaborations with Tilda Swinton.
- The Last of England (1987) Jarman’s angriest film eviscerates the worst elements of Thatcher’s Britain, using a collage of Super-8 films, home movies and new footage to create a distressing nightmare depiction of a country on the rocks.
- Edward II (1991) Jarman takes the homosexual content of Christopher Marlowe’s play and puts it at the centre of his startling adaptation. Marlowe’s play didn’t feature a group of gay rights activists courtesy of OutRage!
Jan 30, 2022 · Jarman was a painter, writer and film-maker but what are the essential elements of his oeuvre? In 1992 Manchester Art Gallery (MAG) commissioned a piece by the artist Derek Jarman.
Dec 20, 2016 · The BBC News remembers the director Derek Jarman, who died in 1994, and his impact on British cinema and culture. Learn about his debut Sebastiane, his punk-inspired Jubilee, his Aids campaigning and his relationship with Keith Collins.
Sep 14, 2023 · BFI curator Simon McCallum explores the creative journey behind Blue, Jarman's 1993 film inspired by Yves Klein's monochrome paintings and his own HIV diagnosis. The film was a personal testament to life and love in the time of AIDS, and a radical experiment in sound and vision.
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Oct 1, 2020 · Mark Hudson explores the filmmaker and artist's legacy and complex relationship to British culture, especially his garden at Dungeness, a national monument. He traces Jarman's visionary fantasies, his queer activism, and his struggle with aids.
