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  1. The Bureau is a critically acclaimed drama about the "bureau des légendes", a secret service agency that sends agents on dangerous missions around the world. The series follows the personal and professional lives of the agents, their handlers and their enemies, with realistic and suspenseful plotlines.

    • (14K)
    • 2016-12-14
    • Drama, Thriller
    • 50
  2. The Bureau (original title: Le Bureau des Légendes) is a French espionage thriller television series created and co-written by Éric Rochant and produced by TOP – The Oligarchs Productions and Canal+, which revolves around the lives of agents of the DGSE (General

  3. Jun 17, 2020 · “The Bureau,” known in France as “Le Bureau des Légendes,” has been a commercial and critical hit since it debuted in 2015, airing currently in 112 markets.

  4. Season 1. Within the French secret service operates a clandestine branch of undercover agents. Dispatched to key locations all around the world and living under false identities for years at a time, their mission is to seek out and identify potential sources. 146 IMDb 8.7 2015 10 episodes. TV-MA.

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  5. The Bureau is a French drama series first aired on Canal+ and in France entitled Le Bureau des Légendes.

    No. Overall
    No. In Season
    Title
    Directed By
    1
    1
    "Episode 1"
    2
    2
    "Episode 2"
    Jean-Marc Moutout, Éric Rochant
    3
    3
    "Episode 3"
    Jean-Marc Moutout, Éric Rochant
    4
    4
    "Episode 4"
    Hélier Cisterne, Éric Rochant
  6. Based on real accounts and inspired by contemporary events, this French spy thriller follows the daily lives and missions of members of the country's external security service -- France's ...

  7. Synopsis. Within the DGSE (General Directorate for External Security), a department called the Office Of Legends (BDL) forms and remote pilot the most important agents of the French intelligence services: Clandestine. Immersion in hostile country, their mission is to identify individuals who may be recruited as sources of information.

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