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    • Road to Perdition

      • Conrad L. Hall, a 10-time nominee who had previously won for "American Beauty" (1999) and "Butch Cassidy and the Sundance Kid" (1969), won the Oscar for best cinematography for "Road to Perdition."
      www.cnn.com/2003/SHOWBIZ/Movies/03/24/sprj.aa03.oscars/index.html
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  2. The 75th Academy Awards | 2003. Kodak Theatre at Hollywood & Highland Center. Sunday, March 23, 2003. Honoring movies released in 2002.

  3. Mar 28, 2021 · When the Sam Mendes directed Road to Perdition was nominated for six Oscars at the 2003 ceremony, cinematographer Conrad L. Hall received his 10th nomination for Best Achievement in Cinematography. Unfortunately, Conrad L. Hall passed away less than three months before the annual awards ceremony.

  4. The 75th Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences (AMPAS) took place on March 23, 2003, at the Kodak Theatre in Hollywood, Los Angeles. During the ceremony, AMPAS presented Academy Awards (commonly referred to as Oscars) in 24 categories honoring films released in 2002. [3]

  5. David Lean holds the record for the director with the most films that won the Academy Award for Best Cinematography at the Oscars with five wins out of six nominations for Great Expectations, The Bridge on the River Kwai, Lawrence of Arabia, Doctor Zhivago, and Ryan's Daughter.

  6. Feb 5, 2014 · 76th Academy Awards (2003): Nominees and Winners – Cinema Sight by Wesley Lovell. BEST PICTURE. The Lord of the Rings: The Return of the King – Barrie M. Osborne, Peter Jackson, Fran Walsh. Lost in Translation – Ross Katz, Sofia Coppola. Master and Commander: The Far Side of the World – Samuel Goldwyn, Jr., Peter Weir, Duncan Henderson.

  7. Take a look at the movies and filmmakers that have won the Academy Award for Best Cinematography over the past 25 years and big scenes and moments immediately fill the mind’s eye: Saving...

  8. These are all the movies that won the Oscar for Best Cinematography. The cinematographers that won the Oscar are listed in the description. From 1939 to 1966, the category was split into two with one being for movies that were in Black-and-White and the other being for movies that were in Color.

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