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An acclaimed documentary director of photography with dozens of films to her credit, she won the Excellence in Cinematography Prize at the 2004 Sundance Film Festival for her work on Ramona Diaz's Imelda, a feature documentary about Imelda Marcos.
Ferne Pearlstein is an American cinematographer, film director, producer, and editor. She has directed such documentary films as Sumo East and West (2003) and The Last Laugh (2016), and served as cinematographer on such documentaries as Imelda (2003) and Freakonomics (2010).
Apr 26, 2016 · Director Ferne Pearlstein wanted to explore not only the limits of humor and free speech today, but how Shoah victims and survivors used humor as a salve, defense mechanism and weapon despite...
Ferne Pearlstein is a prize-winning cinematographer, writer, director, and editor whose work has won numerous awards and been screened and broadcast around the world. Her most recent documentary, The Last Laugh-which she directed, produced, photographed, and edited-had its world premiere at the 2016 Tribeca Film Festival, beginning a run of ...
- Cinematographer, Producer, Editor
- Ferne Pearlstein
In Ferne Pearlstein’s The Last Laugh, which premieres today at the Tribeca Film Festival, she delves into the history of humor about the Holocaust, exploring the ethical questions of of mining such dark material for laughs.
Ferne Pearlstein is a prize-winning director, cinematographer, and editor based in New York City. A member of the Documentary Branch of the Academy of Motion Picture Arts & Sciences and one of the few female cinematographers featured in Kodak's “On Film” ad campaign, Ferne is a winner of the 2004 Sundance Cinematography Prize for Ramona ...
Ferne Pearlstein is a prize-winning cinematographer, writer, director, and editor whose work has won numerous awards and been screened and broadcast around the world. Her most recent documentary, The Last Laugh-which she directed, produced, photographed, and edited-had its world premiere at the 2016 Tribeca Film Festival, beginning a run of ...
