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      • The second track, "On the Nature of Daylight", is used in both the opening and closing sequences of the sci-fi film Arrival, and the soundtrack for Martin Scorsese's Shutter Island.
      en.wikipedia.org/wiki/Max_Richter
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  2. Films in which Max Richter’s “On the Nature of Daylight” is used to convey bittersweetness during a crucial scene. Noted after hearing Richter show up in ARRIVAL and LES INNOCENTES within two weeks of each other.

    • The Blue Notebooks
    • On The Nature of Daylight – A Closer Look
    • On The Nature of Daylight – Musical Analysis
    • Minimal But Powerful
    • Films That Include on The Nature of Daylight
    • Finale

    Max Richter composed On The Nature Of Daylight in his album The Blue Notebooks. Richter describes this work as a reflection of his feelings towards the Iraq War’s political and humanitarian state of affairs in 2003. He describes this album as a protest piece that magnifies that feeling of hopelessness and a reflection on the violence. The Blue Note...

    So why does this piece of music work so well? How does it get us to shed a tear by the time the piece has ended? On The Nature Of Daylightis written for strings, including violins, violas, cellos, and bass. There have been variations on the ensemble, having it performed in a full-string orchestra to a small chamber group consisting of 2 violins, a ...

    The lower strings open the piece, establishing the 24-bar chord progression we hear throughout. In an interview with Deutsche Grammophon, Richter discusses how this work includes strict counterpoint that eludes to 18th-century classical composition. We hear this counterpoint emerge when the violins enter the texture. After the chord establishment, ...

    The musical material itself is repetitive and stays familiar; however, the variation within the gradual build in texture, melody, and dynamics creates this transcending sensation for the listener. What’s more captivating is the build-up from the lower range of pitch to the highest, which can be closely related to the movement from darkness into lig...

    Okay, we are aware of how On The Nature of Daylight was composed and the way the music impacts us as listeners. Now, let’s examine a number of films and TV shows that have featured this ever-popular piece of music. 1. Stranger than Fiction (2006) 1. The Trip (2010) 2. Shutter Island (2010) 3. Jiro Dreams of Sushi (2011) 4. Disconnect (2012) 5. Whit...

    The theme of losing a loved one, grief, and hopelessness is common when we hear On The Nature Of Daylight. The solemness that lingers throughout the music is so present the delicate nature of the composition is near perfect enough to accompany those heartfelt scenes. Listen to the piece in isolation to listen out for those gradual changes but for t...

  3. The soundtrack was ruled ineligible for contention at the 89th Academy Awards, due to the film's prominent use of the Max Richter piece "On the Nature of Daylight" in its opening and final scenes.

  4. Dec 15, 2016 · Music from: Arrival directed by Denis Villeneuve Composed by: Max Richter When mysterious spacecraft touch down across the globe, an elite team - led by expert linguist Louise Banks - is...

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  5. Jun 26, 2018 · Arrival (2016) - Max Richter - On the nature of daylight. Jazzy J. 26.1K subscribers. Subscribed. 369. 32K views 5 years ago. These are scenes from the movie 'Arrival' This is made...

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  6. Sun 8:00 PM · The Met Philadelphia. VIEW TICKETS. Max Richter: On The Nature Of DaylightTaken from ‘The Blue Notebooks’ – originally released in 2004, now re-released with additional...

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    • MaxRichterVEVO
  7. Jun 21, 2018 · Now there's a new short film, made specifically for Richter's gently swaying lament, featuring an arresting performance by Elisabeth Moss (The Handmaid's Tale, The West Wing) and directed by ...