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The 21st Academy Awards | 1949 ... Thursday, March 24, 1949 Honoring movies released in 1948. SHARE. ... Cinematography (Black-and-White) - Ted McCord
- Best Motion Picture
- Directing
- Actor
- Actress
- Actor in A Supporting Role
- Actress in A Supporting Role
- Writing
- Music
- Film Editing
- Cinematography
All the King’s Men – Robert Rossen Productions Battleground – Metro-Goldwyn-Mayer The Heiress – Paramount A Letter to Three Wives – 20th Century-Fox Twelve O’Clock High– 20th Century-Fox
All the King’s Men – Robert Rossen Battleground – William A. Wellman The Fallen Idol – Carol Reed The Heiress – William Wyler A Letter to Three Wives– Joseph L. Mankiewicz
Broderick Crawford – All the King’s Men Kirk Douglas – Champion Gregory Peck – Twelve O’Clock High Richard Todd – The Hasty Heart John Wayne – Sands of Iwo Jima
Jeanne Crain – Pinky Olivia de Havilland – The Heiress Susan Hayward – My Foolish Heart Deborah Kerr – Edward, My Son Loretta Young – Come to the Stable
John Ireland – All the King’s Men Dean Jagger – Twelve O’Clock High Arthur Kennedy – Champion Ralph Richardson – The Heiress James Whitmore – Battleground
Ethel Barrymore – Pinky Celeste Holm – Come to the Stable Elsa Lanchester – Come to the Stable Mercedes McCambridge – All the King’s Men Ethel Waters – Pinky
Come to the Stable – Clare Boothe Luce It Happens Every Spring – Shirley W. Smith, Valentine Davies Sands of Iwo Jima – Harry Brown The Stratton Story – Douglas Morrow White Heat– Virginia Kellogg
“Baby, It’s Cold Outside” – Neptune’s Daughter – Music, Lyrics by Frank Loesser “It’s A Great Feeling” – It’s a Great Feeling – Music by Jule Styne; Lyrics by Sammy Cahn “Lavender Blue” – So Dear to My Heart – Music by Eliot Daniel; Lyrics by Larry Morey “My Foolish Heart” – My Foolish Heart – Music by Victor Young; Lyrics by Ned Washington “Throug...
All the King’s Men – Robert Parrish, Al Clark Battleground – John Dunning Champion – Harry Gerstad Sands of Iwo Jima – Richard L. Van Enger The Window– Frederic Knudtson
Battleground – Paul C. Vogel Champion – Frank Planer Come to the Stable – Joseph LaShelle The Heiress – Leo Tover Prince of Foxes– Leon Shamroy
- The Grapes of Wrath (1940) John Steinbeck’s iconic 1939 Pulitzer Prize-winning novel finds the perfect director to adapt it in the great John Ford. bringing the Joad clan to life during the Dust Bowl-era in a film of unforgettable passion and power.
- The Third Man (1949) Something of a compendium of film noir technique, Carol Reed’s The Third Man is, as New York Times movie critic Bosley Crowther wrote “a brilliantly packaged bag of cinematic tricks, [showing Reed’s] whole range of inventive genius for making the camera expound.
- Rashômon (1950) This lyrical and legendary masterpiece from Akira Kurosawa tells the judiciously straight-forward tale of Tajōmaru, a bandit (Toshiro Mifune) who’s charged with murdering a Samurai (Masayuki Mori) and then raped his wife (Machiko Kyo).
- Manhattan (1979) Filmed in beautiful black-and-white and 2.35:1 widescreen by Gordon Willis, writer-director Woody Allen’s valentine to New York City is a visual feast.
Best Cinematography, Black & White: William H. Daniels; Best Score Drama or Comedy: Brian Easdale; Best Score Musical: Johnny Green, Roger Edens; Best Song: Jay Livingston, Ray Evans ("Buttons and Bows") Best Art Direction, Color: Hein Heckroth, Arthur Lawson; Best Art Direction, Black & White: Roger K. Furse, Carmen Dillon
Walter Huston in "The Treasure of the Sierra Madre" Nominee. Charles Bickford
Academy of Motion Picture Arts and Sciences (AMPAS) First awarded. 1929. Most recent winner. Hoyte van Hoytema. Oppenheimer ( 2023) Website. oscars .org. The Academy Award for Best Cinematography is an Academy Award awarded each year to a cinematographer for work on one particular motion picture .
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Art Direction (Black-and-White) - Art Direction: Mark-Lee Kirk; Interior Decoration: Victor A. Gangelin Cinematography (Black-and-White) - Stanley Cortez, Lee Garmes Film Editing - Hal C. Kern, James E. Newcom Best Motion Picture - Selznick International Pictures
