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  1. en.wikipedia.org › wiki › Gisela_UhlenGisela Uhlen - Wikipedia

    Gisela Uhlen (right), with Robert Ley (left) and Heinrich George, 1941: during a guest appearance of the Berliner Schiller-Theater in occupied France. Gisela Uhlen (16 May 1919 – 16 January 2007) was a German film actress and occasional screen writer.

  2. www.imdb.com › name › nm0880187Gisela Uhlen - IMDb

    Gisela Uhlen was born on 16 May 1919 in Leipzig, Germany. She was an actress and writer, known for The Marriage of Maria Braun (1979), Rembrandt (1942) and The Indian Scarf (1963). She was married to Herbert Ballmann, Wolfgang Kieling, Hans Bertram, Beat Hodel and Kurt Wessels.

    • January 1, 1
    • Leipzig, Germany
    • January 1, 1
    • Cologne, North Rhine-Westphalia, Germany
  3. Apr 24, 2005 · Her mother (Gisela Uhlen) alters the hem of her skirt while fretting that Maria's father would have been heartbroken to see his daughter as a bar girl; then she says she hopes somebody gives Maria some nylons.

  4. Gisela Uhlen was born on May 16, 1919 in Leipzig, Germany. She was an actress and writer, known for The Marriage of Maria Braun (1979), Rembrandt (1942) and The Indian Scarf (1963). She was previously married to Herbert Ballmann, Wolfgang Kieling, Hans Bertram, Beat Hodel and Kurt Wessels.

    • May 16, 1919
    • January 16, 2007
  5. 20 June 2012. Gisela Uhlen. Charming German film actress Gisela Uhlen (1919-2007) appeared in over 60 films, 80 TV productions and more than 100 stage plays. She was an Ufa diva during the Third Reich, moved to East-Germany during the Cold War, and finally became one of the grande dames of the German stage and television.

  6. Jan 22, 2007 · Gisela Uhlen, German actress in film, theater and TV, died Jan. 16 after long illness in Cologne. She was 87. Uhlen’s career spanned more than seven decades and nearly 100 roles, starting with...

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  8. Rainer Werner Fassbinder’s biggest international box-office success, The Marriage of Maria Braun is a heartbreaking study of a woman picking herself up from the ruins of her own life, as well as a pointed metaphorical attack on a society determined to forget its past.

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