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    • Music following minimal music

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      kyleegret.de

      • The expression is used specifically in relation to music and the visual arts, but can refer to any field using minimalism as a critical reference point. In music, postminimalism refers to music following minimal music. Postminimalist visual art uses minimalism either as a conceptual art aesthetic or a generative art practice.
      en.wikipedia.org/wiki/Postminimalism
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  2. In music, postminimalism refers to music following minimal music. Postminimalist visual art uses minimalism either as a conceptual art aesthetic or a generative art practice.

  3. The new post-minimalist composers and performers were arguably open to even more influences than their forebears -- including rock, jazz, world music, folk, sound art, noise, and even the occasional classical Romantic gesture.

  4. As a label for trends in music history since 1970, the term ‘post-minimalism’ has, at first, a seductively familiar ring – if by ‘music history’ we mean the succession of compositional styles conceptualized as a linear progression, most memorably analogized by Donald Francis Tovey as ‘the mainstream of music’.

    • Robert Fink
    • 2004
  5. Beneath a patina of stylistic homogeneity, the music made reference to a panoply of genres: Balinese gamelan, folk music, pop, jazz, 18th-century chamber music, Renaissance music, and even national anthems and specific tunes and pieces.

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  6. The new post-minimalist composers and performers were arguably open to even more influences than their forebears -- including rock, jazz, world music, folk, sound art, noise, and even the occasional classical Romantic gesture.

  7. Minimalism in music emerged in the 1960s, featuring repetitive patterns and gradual transformations. Composers like Steve Reich , Philip Glass , and Terry Riley pioneered techniques like phasing and additive processes , creating hypnotic soundscapes with limited musical materials.

  8. Sep 28, 2016 · In the history of late 20th-century music, “minimalism” is the general label for a diverse set of repetitive, modular, determinist, and process-oriented tendencies within the world of postwar American experimental music.

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