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  1. Mizuno performed in the Dom & Nic video for The Chemical Brothers' "Wide Open", featuring Beck, where she played a dancer gradually transformed into a 3-D lattice. Later that year she appeared in the music video for Frank Ocean's song "Nikes".

  2. Sonoya Mizuno started her career as a ballet dancer. After graduating from the ‘Royal Ballet School,’ she danced as part of several ballet companies, such as ‘Semperoper Ballet’ in Dresden, ‘Ballet Ireland,’ ‘New English Ballet Theatre,’ and ‘Scottish Ballet.’

  3. Aug 6, 2018 · Mizuno’s new role as a bubbly heiress is different from the dystopian figure she’s best known for playing: Kyoko, the robot who disco-dances with Oscar Isaac in Alex Garland’s Ex Machina. (A former ballerina, she had a similarly silent-but-physical role in Garland’s Annihilation.)

    • Beauty Director, The Cut.
  4. Sep 23, 2024 · Sonoya Mizuno was born on July 1, 1986, in Tokyo, Japan. She is of mixed heritage, with a Japanese father and a British mother, which has influenced her career and artistic expression. Mizuno moved to the United Kingdom at a young age, where she pursued her passion for dance and the arts.

  5. Oct 18, 2016 · Inspiration for becoming a dancer. “Because my artistic education was in classical dance I mostly looked up to ballet dancers, particularly principal dancers at the Royal Ballet. The biggest star at the time was British ballerina Darcey Bussell, who I deeply admired.

  6. facts.net › celebrity › 47-facts-about-sonoya-mizuno47 Facts About Sonoya Mizuno

    Oct 1, 2023 · Sonoya Mizuno collaborated with renowned choreographer Benjamin Millepied in the film “High Strung,” showcasing her talent as a dancer and performer. She appeared in the film “Man of Tai Chi.”

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  8. Apr 2, 2018 · When British-Japanese actress Sonoya Mizuno shifted from dance to film, she resolved to use her extensive training to inform her work on screen. Serendipitously, her debut role in Alex Garland’s sci-fi thriller Ex Machina required her to communicate almost entirely through gesture.

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