Nancy Callahan
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Sin City. In this quartet of neo-noir tales, a mysterious salesman (Josh Hartnett) narrates a tragic story of co-dependency, while a musclebound vigilante (Mickey Rourke) tears his way through the ...
- (257)
- Robert Rodriguez, Frank Miller
- R
- Action, Crime, Drama, Fantasy
The spin off “Spirit” and “Sin City 2” were not very good. Star studded cast, Clive Owen, Mickey Rourke, Bruce Willis, Jessica Alba, Elijah Wood, and Brittany Murphy were all great castings even Josh Harnett came back for a little cameo! Story lines were good and the soundtrack added that dark noir ambience needed for a trifecta in my book.
What made the first movie so damn good was in part how the story lines all added up to whole, and that was not present in the sequel. The other factor to me were the motivations of each of the characters: In Sin City, Hartigan wanted to save a girl/woman from a pedophile. Dwight wanted to save the women in old town from the corrupt police.
Sin City (also known as Frank Miller's Sin City) [ 3 ] is a 2005 American neo-noir action crime anthology film directed by Robert Rodriguez and Frank Miller based on Miller's comic book series of the same name. [ 4 ] The film stars an ensemble cast led by Jessica Alba, Benicio del Toro, Brittany Murphy, Clive Owen, Mickey Rourke, Bruce Willis ...
Sin City on the page is a violent, dirty place, and it is so in the movie; but the insanely high level of sadism is far less shocking on the page than it is on the screen. Sin City plays like a two hour seminar in violence desensitization; every single imaginable physical cruelty from eye-gouging to castration, from severed limbs to bullwhipping, to a lot, lot more is played out in stark black ...
Sin City: Directed by Frank Miller, Quentin Tarantino, Robert Rodriguez. With Jessica Alba, Devon Aoki, Alexis Bledel, Powers Boothe. An exploration of the dark and miserable Basin City and three of its residents, all of whom are caught up in violent corruption.
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Mar 31, 2005 · “Sin City” could easily have looked as good as it does and still been a mess, if it were not for the energy of Miller’s storytelling, which is not the standard chronological account of events, but more like a tabloid murder illuminated by flashbulbs. The movie is based on three of the “Sin City” stories, each more or less self-contained.
