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This index page lists tropes applying to music, songs, artists, and the listening experience. See also Poetry Tropes, Dancing Tropes, and Theatre Tropes. Note that tropes applying to specific genres and subcategories are listed on their respective pages.
- Harmony
For the webcomic, see Harmony (Mother).For the Freeware...
- Oratorio
Johann Sebastian Bach. St John Passion ("Passio secundum...
- Tango
Tango music can be played on solo acoustic guitar, by a...
- Psychobilly
Psychobilly is probably one of the most interesting niche...
- Spoken Word
Robert Preston as Professor Harold Hill in The Music Man. C....
- Gaita Zuliana
Gaita Zuliana or Zulian Gaita is a regional genre of music...
- Music at Sporting Events
Pretty much every American sporting event ever. In college...
- Old Man Conversation Song
Examples: Music "People are Crazy" by Billy Currington is...
- Harmony
Feb 1, 2023 · You have the pop stars who have been around for decades and the Latin hits that consistently rank high on the charts. And then there are the music tropes: the common and overused songwriters’ clichés that seem to make their way into every single genre, from rap to rock ’n’ roll and hip-hop.
Tropes about scores, soundtracks, background music, and their interaction with the other parts of a medium. Compare Sound FX Tropes . See also Music Tropes for general music tropes and Music and Sound Effects for works.
A style of music has many unique characteristics. One is a definite rhythm. You’ll hear certain rhythms appear in particular musical genres most of the time. Funk music employs ridiculous off beat syncopations that illustrate it so well. The rhythms are wild and unpredictable in a way.
Tropes found in music, songs and the listening experience.
Music may refer to... Awesome Music; Music Albums Index; Music Tropes. Music and Sound Effects; Music Video Tropes; Score and Music Tropes; The 2021 film. The Madonna album. If an internal link led you here, please correct it to point to the right page.
Oppositions, Markedness, Topics, and Tropes. Those readers not familiar with my approach to musical meaning as devel-oped in my work on Beethoven (Hatten 1994) may ¤nd the following three sections helpful, since they review the role of marked oppositions, topics, and tropes in in-terpretation.
