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Jazz Blues Chord Progressions. In this section, you will learn six different variations of the blues progression. Basic Blues Chords. The first blues we’ll have a look at is the original 12-bar blues chord progression. Let’s take a look at how the basic blues changes look from a chord name standpoint:
- Minor Blues
Minor Blues Progression 6. Now that we have focused our...
- Charlie Parker
Charlie Parker Lick 5 – Donna Lee. Here’s a lick from the...
- Roman Numerals
Arabic numbers are used to identify single-notes in jazz,...
- John Coltrane
John Coltrane Blues Chord Substitutions. Playing jazz blues...
- Bebop Guitar
In the early 1940s, a new jazz style emerged from the...
- Scales
Here’s a more musical example of how you can use the C...
- Chord Melody Arrangements
Picking a Chord Melody Tune. In this lesson you’ll create a...
- Tritone Substitutions
Here is how that substitution sounds over a jazz blues chord...
- Minor Blues
- A Quick History of Blues Music
- Breaking Down Blues Songs: Understanding Blues Progressions Using Chord Numbers
- Basic I7-Iv7-V7 Blues Chord Progression
- Basic Jazz Blues Chord Progression
- Common Jazz Blues Chord Progression Additions
- Bird Blues Chord Progression
- Even More Blues Progression Variations!
- Resources For Practicing The Blues
As we mentioned above, one of the most important song forms in jazz is the blues, but before we dig intoblues chord progressions, we’ll need to establish some historical context so we better understand the context of blues songs and what they mean to American history generally, and African American history specifically. All modern blues music can b...
When it comes to jazz improvisation, I have a special rule: If you want to become a great jazz improviser, you must understand jazz harmony. In other words, you could learn all of the licks and tricks you want, but if you don’t know how jazz harmony works, you won’t ever truly get it. That’s why it’s important to identify chord progressions and und...
This blues form is a basic 12-bar blues, utilizing only three chords: the I7, IV7, and the V chord: 1. I7 2. IV7 3. V7 I have this lead sheet in concert Bb, as this is one of the most popular blues keys in jazz. Take some time to memorize this chord progression because this is important to know! If you have trouble memorizing chord progressions, br...
The differences in the chord changes start in bar 8. Instead of going to the V chord in bar 9, they play a ii-V into the I7 chord in bar 11. To bridge the gap from the Bb7 in bar 7, the dominant VI chord is added in bar 8. You may have noticed the chord in parenthesis in the Basic I7-IV-V Blues, and now you see it again in the Basic Jazz Blues (C7-...
In bar 4, a ii-V of IV7is added, meaning that you can perceive the Fmin7-Bb7 as a ii-V- into Eb7. This makes it easier to think about rather than relating these chords to the parent key center of Bb. In bar 6, the #iv diminishedis added. In bar 8, the iii chordis added with the VI. This adds some nice voice leading into the ii chord. The turnaround...
There is one more kind of jazz blues you should know. It’s called a Bird Blues. Sometimes it’s also called a “Bebop Blues.” Birdrefers to Charlie Parker, the iconic saxophonist who pioneered Bebop. If you don’t know who he is, look him up! His nickname was “Bird,” hence “Bird Blues.” He took the 12-bar blues and re-harmonized it using different cho...
Here are some jazz tune examples that take the blues progression and change it to explore new sounds. The following blues songs are strong examples of jazz musicians who pushed the standard blues in different directions.
Understanding the construction and harmonic movement of the blues is important, but then you need to start improvising over it. Here are some practicing tips for developing a strong jazz feel while playing over the 12-bar blues progression: 1. Whether you play a chordal or melodic instrument, be sure to practice different blues heads in different k...
- I – IV – V. Think of the I, IV, and V chords as the fodder that fuels most blues chord progressions. They are by far the most important chords in this genre, with 8-, 12-, 16- and 24-bar long progressions built around them.
- I7 – IV7 – V7. In “Crossroads,” Eric Clapton used a subdominant 7th chord. But you can turn any of the three major chords or, better still, all of them to get that bluesy vibe going.
- I – ii. As surprising as it may seem, there are quite a few blues standards that use just two chords. The best example of this that springs to mind is Etta James’ heartbreaking vocal masterpiece “I’d Rather Go Blind.”
- i7 – iv7 – i7 – VI7 – V7 – i7. Whenever I hear the word “blues,” B.B. King is the first name that springs to mind. The man braved through tough times to become the ‘King of Blues.’
The Jazz Blues Progression Tutorial. Now that you have a good understanding of basic blues form, it’s time to enhance it to create the more interesting and sophisticated jazz blues progression. Whilst the basic 12 bar blues just contains 3 chords, the I, the IV and the V, the jazz blues also incorporates the most common progression in jazz ...
Sep 21, 2017 · The last two bars of a jazz blues progression is a condensed version of the previous four bars. Starting in bar seven you have I7-VI7b9-iim7-V7 one bar each. Then, in the last two bars you have the same chord progression but this time each chord gets two beats, or half a bar, each. Knowing this can not only help you memorize these changes, but ...
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...
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We can't have a discussion about jazz chord progressions without talking about the blues. The 12 bar blues form is a conventional set of 12 measures built using I , IV and V chords. The standard form has been used countless times through the blues genre, but also in all forms of music that have built from those roots.
