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  1. Mar 25, 2019 · James McAvoy and Danai Gurira present John Warhurst and Nina Hartstone with the Oscar for Best Sound Editing for their work on “Bohemian Rhapsody" at the 91s...

    • 3 min
    • 130.9K
    • Oscars
  2. Feb 4, 2016 · Scarlett Johansson and Matthew McConaughey presenting Richard King with the Oscar® for Sound Editing for "Inception" at the 83rd Academy Awards® in 2011.

    • 2 min
    • 49.6K
    • Oscars
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  4. A Musical Medley. Aaron Tveit, Anne Hathaway, Amanda Seyfried, Eddie Redmayne, Hugh Jackman, Samantha Barks, Sacha Baron Cohen and Russell Crowe perform a medley from Les Misérables as part of a salute to movie musicals of the past decade. Anne Hathaway. Supporting Actress winner for Les Misérables. Chris Terrio.

    • Mad Max: Fury Road (2016 Oscars) “Mad Max is a film we see with our ears” Above you can hear how sound editors, Mark Mangini and David White added so much richness and texture to the post apocalyptic world of Mad Max: Fury Road, for a well-deserved win.
    • Arrival (2017 Oscars) The making of Heptapod communication. Sylvain Bellemare wins the Sound Editing Oscar for much more than alien noises. The sound team hiked up a mountain in New Zealand for three days just to record native New Zealand birds.
    • Dunkirk (2018 Oscars) Oscar winning sound. Richard King is no amateur to sound design or being an Academy Award winner. Inception, The Dark Knight, and Master and Commander: The Far Side of the World, all won him an Oscar for Best Sound Editing.
    • Inception (2011 Oscars) Oscar winner for Best Sound Editing. Listen to how Richard King and his sound team Lora Hirschberg, Gary Rizzo, and Ed Novick, work with Christopher Nolan to create a layered, dynamic soundscape, nearly as intricate as the story world itself.
  5. Feb 19, 2013 · “Life of Pi” seemed ready to sweep the Golden Reel Awards Sunday night but at the last minute, the most coveted prize of the lot (for sound effects and foley) ended up going to the “Skyfall ...

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  7. Feb 25, 2013 · In a fairly unprecedented move, the Oscar for Best Sound Editing was somehow shared between Skyfall and Zero Dark Thirty, seemingly ignoring the entire concept of an awards ceremony and the agenda ...

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