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Mar 25, 2019 · James McAvoy and Danai Gurira present John Warhurst and Nina Hartstone with the Oscar for Best Sound Editing for their work on “Bohemian Rhapsody" at the 91s...
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- Oscars
Feb 4, 2016 · Scarlett Johansson and Matthew McConaughey presenting Richard King with the Oscar® for Sound Editing for "Inception" at the 83rd Academy Awards® in 2011.
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- Oscars
Mar 11, 2014 · Chris Hemsworth and Charlize Theron presenting the Oscar® for Sound Editing to Glenn Freemantle for "Gravity"at the 86th Oscars® in 2014.
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- Oscars
- Mad Max: Fury Road (2016 Oscars) “Mad Max is a film we see with our ears” Above you can hear how sound editors, Mark Mangini and David White added so much richness and texture to the post apocalyptic world of Mad Max: Fury Road, for a well-deserved win.
- Arrival (2017 Oscars) The making of Heptapod communication. Sylvain Bellemare wins the Sound Editing Oscar for much more than alien noises. The sound team hiked up a mountain in New Zealand for three days just to record native New Zealand birds.
- Dunkirk (2018 Oscars) Oscar winning sound. Richard King is no amateur to sound design or being an Academy Award winner. Inception, The Dark Knight, and Master and Commander: The Far Side of the World, all won him an Oscar for Best Sound Editing.
- Inception (2011 Oscars) Oscar winner for Best Sound Editing. Listen to how Richard King and his sound team Lora Hirschberg, Gary Rizzo, and Ed Novick, work with Christopher Nolan to create a layered, dynamic soundscape, nearly as intricate as the story world itself.
Mychael Danna winning Best Original Score. Chris Terrio winning Best Adapted Screenplay for "Argo". "Skyfall" Wins Original Song: 2013 Oscars. Quentin Tarantino winning Best Original Screenplay for "Django Unchained". Ang Lee winning the Oscar® for Directing "Life of Pi". Daniel Day-Lewis winning Best Actor for "Lincoln". "Argo" winning ...
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing.The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians, the first of which were Murray Spivack and Jack Solomon for Hello, Dolly!. [1]
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Feb 25, 2013 · In a fairly unprecedented move, the Oscar for Best Sound Editing was somehow shared between Skyfall and Zero Dark Thirty, seemingly ignoring the entire concept of an awards ceremony and the agenda ...
