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  1. www.oscars.org › oscars › ceremoniesThe 59th Academy Awards | 1987 - Oscars.org

    4 NOMINATIONS, 1 WIN. * Actor in a Leading Role - Paul Newman. Actress in a Supporting Role - Mary Elizabeth Mastrantonio. Art Direction - Art Direction: Boris Leven; Set Decoration: Karen A. O'Hara. Writing (Screenplay Based on Material from Another Medium) - Richard Price. Crimes of the Heart.

  2. en.wikipedia.org › wiki › Academy_Award_for_Best_SoundAcademy Award for Best Sound - Wikipedia

    The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing.The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians, the first of which were Murray Spivack and Jack Solomon for Hello, Dolly!. [1]

  3. en.wikipedia.org › wiki › 59th_Academy_Awards59th Academy Awards - Wikipedia

    The 59th Academy Awards ceremony, organized by the Academy of Motion Picture Arts and Sciences (AMPAS), took place on March 30, 1987, at the Dorothy Chandler Pavilion in Los Angeles beginning at 6:00 p.m. PST / 9:00 p.m. EST. During the ceremony, AMPAS presented Academy Awards (commonly referred to as Oscars) in 23 categories honoring films ...

  4. www.studiobinder.com › blog › best-sound-editingBest Sound Editing — 10 Oscar-Winning Movies Ranked

    • Mad Max: Fury Road (2016 Oscars) “Mad Max is a film we see with our ears” Above you can hear how sound editors, Mark Mangini and David White added so much richness and texture to the post apocalyptic world of Mad Max: Fury Road, for a well-deserved win.
    • Arrival (2017 Oscars) The making of Heptapod communication. Sylvain Bellemare wins the Sound Editing Oscar for much more than alien noises. The sound team hiked up a mountain in New Zealand for three days just to record native New Zealand birds.
    • Dunkirk (2018 Oscars) Oscar winning sound. Richard King is no amateur to sound design or being an Academy Award winner. Inception, The Dark Knight, and Master and Commander: The Far Side of the World, all won him an Oscar for Best Sound Editing.
    • Inception (2011 Oscars) Oscar winner for Best Sound Editing. Listen to how Richard King and his sound team Lora Hirschberg, Gary Rizzo, and Ed Novick, work with Christopher Nolan to create a layered, dynamic soundscape, nearly as intricate as the story world itself.

  5. www.cinemasight.com › awards-history › academyBest Sound Editing - Cinema Sight by Wesley Lovell

    • Sound Editing
    • Sound Effects Editing
    • Academy Notes

    Ford v Ferrari – Donald Sylvester Joker – Alan Robert Murray 1917 – Oliver Tarney, Rachael Tate Once Upon a Time… in Hollywood – Wylie Stateman Star Wars: The Rise of Skywalker– Matthew Wood, David Acord

    See full list on cinemasight.com

    Fight Club – Ren Klyce, Richard Hymns The Matrix – Dane A. Davis Star Wars Episode I: The Phantom Menace– Ben Burtt, Tom Bellfort

    See full list on cinemasight.com

    [NOTE: A tie. The other winning film in this category was Zero Dark Thirty.]
    [NOTE: A tie. The other winning film in this category was Skyfall.]

    See full list on cinemasight.com

  6. simple.wikipedia.org › wiki › Academy_Award_for_BestAcademy Award for Best Sound - Simple English Wikipedia, the ...

    The Hindenburg. Leonard Peterson, John A. Bolger Jr., John L. Mack and Don Sharpless. The Wind and the Lion. Harry W. Tetrick, Aaron Rochin, William McCaughey and Roy Charman. Special Achievement Award (Sound Effects) [ note 1 ] The Hindenburg. Peter Berkos. 1976 (49th) Best Sound.

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  8. en.wikipedia.org › wiki › Richard_LRichard L. Anderson (sound effects editor) - Wikipedia

    Richard L. Anderson is an American sound effects editor, best known for Raiders of the Lost Ark. He has been nominated twice for sound editing, and received a Special Achievement Academy Award in 1981. He has nearly 140 film credits since his start in 1972.