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  1. The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing.The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians, the first of which were Murray Spivack and Jack Solomon for Hello, Dolly!. [1]

  2. Richard L. Anderson is an American sound effects editor, best known for Raiders of the Lost Ark. He has been nominated twice for sound editing, and received a Special Achievement Academy Award in 1981. He has nearly 140 film credits since his start in 1972.

  3. 4 NOMINATIONS, 1 WIN. * Actor in a Leading Role - Paul Newman. Actress in a Supporting Role - Mary Elizabeth Mastrantonio. Art Direction - Art Direction: Boris Leven; Set Decoration: Karen A. O'Hara. Writing (Screenplay Based on Material from Another Medium) - Richard Price. Crimes of the Heart.

    • Sound Editing
    • Sound Effects Editing
    • Academy Notes

    Ford v Ferrari – Donald Sylvester Joker – Alan Robert Murray 1917 – Oliver Tarney, Rachael Tate Once Upon a Time… in Hollywood – Wylie Stateman Star Wars: The Rise of Skywalker– Matthew Wood, David Acord

    Fight Club – Ren Klyce, Richard Hymns The Matrix – Dane A. Davis Star Wars Episode I: The Phantom Menace– Ben Burtt, Tom Bellfort

    [NOTE: A tie. The other winning film in this category was Zero Dark Thirty.]
    [NOTE: A tie. The other winning film in this category was Skyfall.]
  4. May 12, 2020 · We saw this happen in 1983 with the “Best Makeup” category. If only one film met the 8.0 requirement or was so above and beyond its competitors, it would be awarded a Special Achievement Award. This occurred for Sound Editing in 1981 (“Raiders of the Lost Ark”), 1984 (“The River”), and 1987 (“RoboCop”).

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  5. The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing.The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians, the first of which were Murray Spivack and Jack Solomon for Hello, Dolly!.

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  7. The Hindenburg. Leonard Peterson, John A. Bolger Jr., John L. Mack and Don Sharpless. The Wind and the Lion. Harry W. Tetrick, Aaron Rochin, William McCaughey and Roy Charman. Special Achievement Award (Sound Effects) [ note 1 ] The Hindenburg. Peter Berkos. 1976 (49th) Best Sound.