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  1. Jan 25, 2022 · Even now, the film's openness towards ménage à trois relationships – and Truffaut's non-judgemental view of Jim, Jules and Catherine's dynamic – still feels pioneering. Experiments of style

    • Gregory Wakeman
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  2. It doesn't last forever though. War hits which feels like a key turning point: Jules and Jim are enlisted into two different armies (Jules is Austrian, Jim is French) and once the war is finished, Jim visits Jules in the countryside to see a supposedly idyllic family life that Jules has built with Catherine.

  3. Jules and Jim (French: Jules et Jim [ʒyl e dʒim]) is a 1962 French New Wave romantic drama film directed, produced and co-written by François Truffaut. Set before, during, and after World War I , it follows a tragic love triangle involving French bohemian Jim ( Henri Serre ), his shy Austrian friend Jules ( Oskar Werner ), and Jules' girlfriend and later wife Catherine ( Jeanne Moreau ).

  4. Jan 23, 2022 · Jules and Jim are great friends and even fighting on opposite sides in the Great War doesn’t stop that. The film’s funny and it asks interesting questions about relationships and love and ...

    • are jules and jim in a relationship now and give1
    • are jules and jim in a relationship now and give2
    • are jules and jim in a relationship now and give3
    • are jules and jim in a relationship now and give4
    • are jules and jim in a relationship now and give5
  5. Mar 10, 2019 · The film contains one of cinema’s most famous ménage-a-trois. We follow a pair of friends from the film’s title, Jules (Oskar Werner), a shy Austrian writer, and Jim (Henri Serre), an excitable Frenchman. They bond over the arts and both fall madly in love with an ancient statue when on holiday. Meeting Catherine (Jeanne Moreau), who bears ...

  6. Apr 25, 2003 · For most people Francois Truffaut invented "Jules et Jim," but Truffaut based his radiant 1961 film on a much darker novel that he had found, second-hand, in a bookshop opposite the Palais Royal ...

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  8. Feb 2, 2022 · Charting the dramatic love triangle between shy Austrian Jules (Oskar Werner), outlandish Frenchman Jim (Henri Serre) and the centre of both of their affections, Catherine (Jeanne Moreau), the film follows the various stages of their friendships, loves and jealousies, until finally concluding with tragedy, as many of Truffaut’s love stories do.

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