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  1. Feb 11, 2022 · Pdf_module_version 0.0.18 Ppi 360 Rcs_key 24143 Republisher_date 20220211115732 Republisher_operator associate-jenisa-lucernas@archive.org Republisher_time 391 Scandate 20220207013629 Scanner station53.cebu.archive.org Scanningcenter

  2. The primacy of words over images has deep roots in Western culture. But what if the two are inextricably linked, equal partners in meaning-making? Written and drawn entirely as comics, Unflattening is an experiment in visual thinking. Nick Sousanis defies conventional forms of scholarly discourse to offer readers both a stunning work of graphic art and a serious inquiry into the ways humans ...

  3. Joseph Darlington. Review of Unflattening by Nick Sousanis appearing in BSJ3. See full PDF. download Download PDF. Unflattening, by Nick Sousanis, Cambridge, MA, Harvard University Press, 2015, 193 pp., US$22.95 (paperback), ISBN 978-0-674-74443-1. Ashleigh Bingham, Amanda O Latz.

    • Joseph Darlington
  4. Mar 30, 2015 · Written and drawn entirely as comics, Unflattening is an experiment in visual thinking. Nick Sousanis defies conventional forms of scholarly discourse to offer readers both a stunning work of graphic art and a serious inquiry into the ways humans construct knowledge. Unflattening is an insurrection against the fixed viewpoint.

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    • Nick Sousanis
  5. Written and drawn entirely as comics, Unflattening is an experiment in visual thinking. Nick Sousanis defies conventional forms of scholarly discourse to offer readers both a stunning work of graphic art and a serious inquiry into the ways humans construct knowledge. Unflattening is an insurrection against the fixed viewpoint.

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  6. chapters merely suggest and invite us to question and to look around. In this regard, Unflattening is a book to be read and to be seen. By showing the limitations of a two–dimensional approach to the world, Unflattening encourages us to appreciate the affordances of multiple points of views and overcome a mono-modal approach to meanings.

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  8. Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, it uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points.

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