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of the “Body without Organs,” and “the refrain”—I argue that the creative practices demonstrated by this set of improvisers highlight the capacity of free improvised music to confound conventional notions of musical subjectivity and selfhood.
Apr 22, 2018 · Philosopher Gilles Deleuze would say that not one organ actually produces anything, all productions are collectively produced by the entire body, and actually, by more than the body but a complex of bodies and environments.
- theturnips@im-possiblethink.com
Oct 1, 2009 · This article provides an exposition of four key concepts emerging in the encounter between the philosophical man of the theatre, Antonin Artaud, and the theatrical philosopher, Gilles Deleuze: the body without organs, the theatre without organs, the destratified voice and differential presence.
Free Improvised Music as a Deleuzian "Body Without Organs": An Interview-Based Engagement With Free Improvised Musical Practices by Nicholas McGrath
Across the generic and traditional differences between classical music, jazz, rock, dance music, etc., it selects and intensifies a single trait: the impulse to make music a body without organs. In minimalist house and techno and ambient and noise composition, we find all the ways and means of doing this.
- Christoph Cox
Aug 20, 2020 · The dissolution of flows which is inherent to desiring production has a limit — this is what Deleuze refers to as the Body without Organs: it is the limit of disorganization, or...
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“The body without organs is not the proof of an original nothingness, nor is it what remains of a lost totality. Above all, it is not a projection; it has nothing whatsoever to do with the body itself, or with an image of the body.