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Bella and Samuel Spewack. Bella (25 March 1899 – 27 April 1990) and Samuel Spewack (16 September 1899 – 14 October 1971) were a writing team. Samuel, who also directed many of their plays, was born in Bachmut, Ukraine. [1] He attended Stuyvesant High School in New York City [2] and then received his degree from Columbia College.
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Bella Spewack, in collaboration with her husband Sam, is known for writing some of the most memorable works of musical theater history, including Leave It to Me (1938) and Kiss Me Kate (1948). The Spewacks also wrote screenplays for several 1940s Hollywood hits, such as Weekend at the Waldorf. The couple contributed to many Jewish organizations and founded the Spewack Sports Club for the ...
The oldest of three children of a single mother, Bella Cohen was born in Bucharest, Romania and with her family emigrated to the Lower East Side of Manhattan when she was a child. After graduation from Washington Irving High School , [3] she worked as a journalist for socialist and pacifist newspapers such as the New York Call .
Spewack wrote of her Jewish girlhood on New York's Lower East Side around the same time. Twenty-three years old in 1922 and having just made a happy marriage, she wrote of her difficult childhood at the turn of the cen tury off Lower Manhattan's tough streets of Broome and Delancey. Spewack, however, never sought the publication of Streets.
Bella Spewack, in collaboration with her husband Sam, is known for writing some of the most memorable works of musical theatre history. Spewack was born in Transylvania and lived an impoverished childhood in New York's Lower East Side. In 1922, she married Sam Spewack, and the two began their masterful collaborations.
Developing their talent in association, Bella and Sam Spewack wrote a number of successful comedies for stage and screen, including the plays Boy Meets Girl (1935), a satire on Hollywood which ran on Broadway for 669 performances; Clear All Wires (1932), a farcical newspaper melodrama; My Three Angels (1953); and The Festival (1955); and films such as My Favorite Wife (1940), starring Cary ...
