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- Raging Bull - Intermezzo from Cavelleria Rusticana (Pietro Mascagni) The juxtaposition of the physical drudgery and tragedy of Robert De Niro’s portrayal of boxer Jake LaMotta, balanced against the supremely romantic and indulgent nagging of Mascagni’s ‘Intermezzo’, has to be one of the greatest in cinema history.
- There Will Be Blood - Violin Concerto in D major (Johannes Brahms) The climax of There Will Be Blood has to be up there as one of the most unexpectedly perfect uses of classical music in a movie.
- The Man Who Wasn’t There - Piano Sonata No. 8 in C minor, ‘Pathetique’ (Ludwig Van Beethoven. The Coen Brothers’ queasy masterpiece features the slow movement of Beethoven’s ‘Pathetique’ throughout, peppered across the story as the quiet life of barber Ed Crane (Billy Bob Thornton) gradually gets turned completely upside down.
- Apocalypse Now - Flight Of The Valkyries (Richard Wagner) You can really measure the impact of Francis Ford Coppola’s movie by closing your eyes and listening to Wagner’s ‘Flight Of The Valkyries’ – chances are, rather than visualising a full stage production of The Ring Cycle, you’re picturing a swarm of helicopters blowing up the Vietnamese jungle.
Feb 14, 2023 · How do you legally use classical music in films and media projects, and what is the difference between a composer's copyright and a recording's copyright? Classical music can be an excellent addition to a film project.
Sep 27, 2024 · Stanley Kubrick’s 2001: A Space Odyssey remains one of the most iconic uses of classical music in film. Richard Strauss’ Also sprach Zarathustra serves as the opening score, accompanying the film’s dramatic imagery of the dawn of humanity. The film was made in 1968 and music was composed in 1896. The composition’s triumphant brass and ...
If you are looking to use classical music in your next film, I highly recommend Musopen. It that offers royalty free music at no charge with a huge catalog. General
Jun 22, 2024 · Classical music’s enduring presence in cinema can be attributed to its emotional depth, versatility, and timelessness. Directors and composers often choose classical pieces to: Set the Mood: Classical music can evoke a wide range of emotions, from joy to sorrow, tension to relief.
There is the option of ‘royalty free’ Classical music, but this is a risk. This is because you can’t be sure if the tracks are copyright free, and you could get into trouble. Royalty free also doesn’t mean that the music is free, so you will usually have to purchase it.
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The use of classical music in a variety of ways, including popular music approach, is a feature of many filmmakers like Stanley Kubrick, Martin Scorsese and Lars Von Trier. Different aspects like contrasts, juxtapositions and enhanced visual information induce the audience to feel the resulting product (sound + image) as a whole and it often ...
