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  1. Mar 2, 2022 · Through a critical analysis of this painting we can excavate a model of how hegemonic subjects configure the world as always already available as objects-for-property, thereby showing that their aesthetic appreciation is predicated on this abstract, constituting structure of appropriation.

  2. Nov 6, 2006 · Transculturation identifies forces of cultural homogenization and highlights the influential role of economic, political, military, and other forms of power while also recognizing how cultural appropriation can be constitutive of cultural particularity and agency.

    • Richard A. Rogers
    • 2006
  3. Abstract. Cultural appropriation is often mentioned but undertheorized in critical rhetorical and media studies. Defined as the use of a culture's symbols, artifacts, genres, rituals, or technologies by members of another culture, cultural appropriation can be placed into 4 categories: exchange, dominance, exploitation, and transculturation.

  4. May 15, 2024 · This paper identifies a theoretically neglected reason why cultural appropriation can be wrong and examines how this wrong is connected to a broader concern about cultural colonialism.

  5. Aug 30, 2021 · Cultural appropriation takes many forms, covers a range of types of action, and has many consequences. It is not a uniform practice and needs to be assessed on a case by case basis but there are common themes and issues.

    • Rina Arya
    • 30 August 2021
    • 2
    • 15, Issue10
  6. Cultural appropriation can be divided into physical appropriation (such as the appropriation of sculptures and other tangible objects, such as the transnational plundering of cultural objects during wartime) and content appropriation (such as the borrowing and adaptation of

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  8. This means that whilst the concept of cultural appropriation can be analysed in the abstract, particular cases that occur are better evaluated diachronically, over time, rather than ARYA 4 of 11 synchronically, a point made by Ashley and Plesch (2002, p. 10).