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  1. Jun 9, 2021 · Abstract. Cultural appropriation, as both concept and practice, is a hugely controversial issue. It is of particular importance to the arts because creativity is often found at the intersection of cultural boundaries.

    • Paul Haynes
    • 2021
  2. Mar 2, 2022 · Through a critical analysis of this painting we can excavate a model of how hegemonic subjects configure the world as always already available as objects-for-property, thereby showing that their aesthetic appreciation is predicated on this abstract, constituting structure of appropriation.

  3. Nov 6, 2006 · Abstract. Cultural appropriation is often mentioned but undertheorized in critical rhetorical and media studies. Defined as the use of a culture’s symbols, artifacts, genres, rituals, or technologies by members of another culture, cultural appropriation can be placed into 4 categories: exchange, dominance, exploitation, and transculturation.

    • Richard A. Rogers
    • 2006
  4. perspective. In this thesis, I will review the ways that writers can keep their writing freedom while averting the negative effects that cultural appropriation can have on the cultures and communities they are acknowledging. While the term “appropriation” appears in almost all social and artistic

    • Wendy Meza
    • 2020
  5. This means that whilst the concept of cultural appropriation can be analysed in the abstract, particular cases that occur are better evaluated diachronically, over time, rather than ARYA 4 of 11 synchronically, a point made by Ashley and Plesch (2002, p. 10).

    • Rina Arya
    • 2021
  6. Whatever the complex answer to this question, cultural appropriation is commonly defined as ‘the taking of something produced by members of one culture by members of another (Young 2005: ’ 136), whilst appreciation is typically understood as mere ‘exploration ’: ‘Appreciation explores whatever is there ’. (Gracyk 2007: 112).

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  8. This article will focus on appropriation in literature, examining the way appropriative strategies are being used to resist dominant cultural standards. These strategies and their implications will be analysed through the lens of Deleuze and Guattari’s notion of minor literature.