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May 9, 2022 · In television and film, library music is used when the budget or time-scale doesn’t allow for a commissioned composer. The music editor is charged with the task of matching music to the image, and they use library music publisher’s search tools to find the right track for their brief. Library music is used across all sorts of productions ...
- Eric Guy
- What Is Music Sync Licensing?
- Why Do You Need to Sync License Your Music?
- Sync Deal Options
- Option 1: Working with A Publisher
- Option 2: Placing Your Catalogue in Music Libraries
- Option 3: Building Relationships Yourself
- What's The Best Option If You're Just Starting out?
Music sync licensing is basically placing one of your songs in a YouTube video, on a TV show, in a film or in a video game. In exchange, you get paid a synchronisation fee upfront and, depending on where and how often the track is played in public, on TV, for example, you also get paid royalties. There are other ways you can license your music - yo...
- It can be more financially rewarding than any other revenue streamavailable to indie musicians - You can do it from the comfort of your own home - It won’t negatively affect your day jobor family life since you can easily work on it on your own time Now the money doesn’t have to be the be all and end all…. Having a track featured on a popular TV...
So now that I’ve made my point about why it makes sense to invest some time in licensing your music, let me give you the 3 main strategies that are available to you. 1- Get a publisherthat will find, negotiate and sign licensing opportunities for you. By signing up to Ditto Pro, you'll gain access to loads of sync opportunities AND collect extra pu...
Good points: The publisher takes care of all the boring admin stuff and leverages their relationships. Bad points: High-end publishing deals (those that will help you advance your music licensing careers) are sometimes exclusive. That means that if the deal doesn’t work out for you (and it can definitely happen), you’re stuck. How to mitigate the r...
Good points: Once you’ve set up your tracks in music libraries (under non-exclusive deals, you can upload your catalogue in multiple libraries), the income you get from these platforms is passive. There’s no extra work. Bad points: There are so many music libraries of varying quality that it’s difficult to know where to start and easy to suffer fro...
Good points: You’re in complete control and decide who you want to work with. You also get to keep all the money (the standard being 50/50 splits with libraries and publishers, that’s not negligible). On top of that it’s highly gratifying when you pull it off and relationships you build that way tend to be stronger and more rewarding (both creative...
When first getting started with music licensing, a combination of options 2 and 3 is ideal. I’ll explain why in a minute but first, let me tell you why I wouldn’t focus on option 1 and sign a publishing deal right from the start. First of all, you’d need as much time researching publishers as you’d need researching music libraries, might as well st...
As an aspiring musician, getting your music featured in film and TV can provide a significant platform for exposure and career growth. But where do you start? In this article, we will explore various avenues to submit your music for film and TV and provide answers to some frequently asked questions. 1. Music Libraries:
Nov 8, 2022 · So if you’re a musician who loves to help other people tell their stories, and if you’re fluent in both music technology and project management, composing for film or TV may be the job for you.
- Jon Healey
- Deputy Editor, Fast Break Desk
- jon.healey@latimes.com
Also, I played in a band as a drummer for many years and I have to say, being a drummer is very similar to being a film composer. Our role is to support the film, elevating the scene with the pacing and energy that we provide. You probably heard the saying, “A mediocre band with a great drummer can make the band sound great while a great band ...
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Feb 14, 2023 · The music blew me away, and suddenly, the idea of writing music for film hooked me. From the moment I left University, I began learning how to write orchestral music. I bought all the required software and equipment, took lessons, and watched tutorials on how to write film music. I listened to numerous film scores and composers, learning as ...
