Search results
Nov 13, 2024 · The model for musical attributes influencing the perception of dominance in music was significant, F(10, 738) = 170.35, p < .001, explaining 69.77% of the variance in perceptions of dominance in ...
Jan 10, 2022 · Across scales, study systems where rank can be manipulated (e.g. ) will be extremely useful for conducting targeted experiments testing hypotheses about the causes and consequences of the dynamics of dominance. There is also room for work integrating studies of the dynamics of dominance with other forms of social power . Finally, long-term ...
Jun 12, 2020 · Given that the three dimensions map onto much of the previous work on musical likes and dislikes with regard to environmental responses to music and because the dominance dimension, in particular, allows for the explicit consideration of control, the Pleasure-Arousal-Dominanc model offers a theoretical framework for examining and explaining everyday music listening.
- Amanda E. Krause, Amanda E. Krause, Sophie Mackin, Adam Mossman, Taylor Murray, Nathan Oliver, Vern ...
- 2020
Dec 30, 2023 · The impact of emotion o n behavior examines how emotions, elicited by various stimuli such as music, shape. cognitive processes, judgment, preferences, and actions. Emotions can influence ...
Jul 1, 2021 · Across scales, model systems where rank can be manipulated will be extremely useful for targeted testing of hypotheses about the dynamics of dominance hierarchies.
Jan 10, 2022 · verbal model of how dominance r elationships form and change, stating of a contest betw een hens A and B: ‘ If B wins she will become the des pot, possibly forev er but in any case
People also ask
Can rank be a model of dominance dynamics?
Can a dyadic model be used to test a dominance hierarchy?
What is dominance & control?
Is dominance rank a trajectory?
Are dominance hierarchies enigmatically stable and dynamic?
What is the difference between pleasure arousal and dominance?
However, conceptualizing dominance broadly as control means that the construct is not well defined. This research aimed to define the elements related to a listener’s desire for control over music encountered in everyday life. Participants residing in Australia and USA (N 1⁄4 590) com-pleted an online questionnaire.