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  1. Nov 13, 2024 · The model for musical attributes influencing the perception of dominance in music was significant, F(10, 738) = 170.35, p < .001, explaining 69.77% of the variance in perceptions of dominance in ...

  2. Jun 12, 2020 · Mehrabian and Russell’s Pleasure-Arousal-Dominance model states that people’s interactions and interpretation of their surroundings result from variations in three factors – pleasure, arousal, and dominance. Applied to music, pleasure has been operationalized as how much a person likes the music heard, arousal as how arousing the person ...

    • Amanda E. Krause, Amanda E. Krause, Sophie Mackin, Adam Mossman, Taylor Murray, Nathan Oliver, Vern ...
    • 2020
  3. Jan 10, 2022 · Across scales, study systems where rank can be manipulated (e.g. ) will be extremely useful for conducting targeted experiments testing hypotheses about the causes and consequences of the dynamics of dominance. There is also room for work integrating studies of the dynamics of dominance with other forms of social power . Finally, long-term ...

  4. It is more fully modeled by the ARTSTREAM model (Figure 2, right panel) of how our brains can track multiple streams of sound through time, such as voices or instruments during music (Grossberg, 1999, 2021; Grossberg et al., 2004). The ARTSTREAM model incorporates the SPINET model as the front end of a larger neural architecture with enhanced capabilities, including conscious recognition of ...

  5. Dec 30, 2023 · The impact of emotion o n behavior examines how emotions, elicited by various stimuli such as music, shape. cognitive processes, judgment, preferences, and actions. Emotions can influence ...

  6. Jan 10, 2022 · and used to infer individual ‘ rank ’ in the dominance hierarchy [1 – 3]. These dominance ranks are then compared with other covariates of interest to under-

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  8. Jul 1, 2021 · Across scales, model systems where rank can be manipulated will be extremely useful for targeted testing of hypotheses about the dynamics of dominance hierarchies.