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Carter Benedict Burwell (born November 18, 1954) is an American film composer. He has frequently collaborated with the Coen brothers, having scored most of their films. He has also scored films by other directors such as Bill Condon, Todd Haynes, Spike Jonze, Martin McDonagh, James Foley, Brian Helgeland, and John Lee Hancock. Burwell received ...
- Burwell family of Virginia
Carter Burwell (1716–1756) was the son of Hon. Nathaniel...
- Burwell family of Virginia
Carter Burwell. Carter Burwell was born on November 18, 1954. He graduated from Harvard College in 1977. While at Harvard he studied animation with Mary Beams and George Griffin, electronic music with Ivan Tcherepnin, and pursued a course of independent study at the MIT Media Lab (then known as the Architecture Machine Group).
Carter Burwell was born on 18 November 1954 in New York City, New York, USA. He is a composer and actor, known for Three Billboards Outside Ebbing, Missouri (2017), Carol (2015) and True Grit (2010). He has been married to Christine Sciulli since 1999.
- November 18, 1954
Carter Burwell (1716–1756) was the son of Hon. Nathaniel Burwell (1680–1721) and younger brother to "President" Lewis Burwell IV/I. [20] [21] Upon reaching legal age, he inherited property from his grandfather King Carter, and built the house at Carter's Grove in the 1750s on the James River six miles east of Williamsburg, [1] on what was by then a 1,400-acre (6 km2) estate.
The New Yorker magazine published David Owen's profile of Carter Burwell on Nov. 14, 2022, The Polymath Film Composer Known As "The Third Coen Brother ". Brian Helgeland's film Finestkind is streaming on Paramount+. To Catch A Killer is streaming on Hulu, directed by Damian Szifron, starring Shailene Woodley and Ben Mendelsohn.
Feb 7, 2016 · Despite Burwell's lack of formal training, Joel Coen says the brothers have always felt like they were in good musical hands. "Carter is so good at sort of moving into these different kinds of ...
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May 14, 2018 · Carter Burwell is among the most chameleonic of modern film composers. Though his music certainly has recognizable traits, his work for the first seven films by Joel and Ethan Coen is greatly varied in style—far from instantly identifiable, at least when compared to the scores of Angelo Badalamenti for David Lynch , or Bernard Herrmann for Alfred Hitchcock (or for anyone else).
