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  1. ‘The Love Song of J. Alfred Prufrock’ had been written by T. S. Eliot, though, back in 1910-11, and made its debut in print in June 1915, when it was published in Poetry magazine. Previously, one poetry bookseller had rejected the poem on the grounds that it was ‘absolutely insane’: Harold Monro, an influential publisher and owner of ...

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    The Love Song of J. Alfred Prufrock’ by T.S. Eliot(Bio | Poems)is the inner monologue of a city gentleman stricken by feelings of isolation, inadequacy and incapability of taking decisive action. It isn’t easy to decide what Prufrock is about; the fragmented poetic landscape of T.S. Eliot’s poetry makes it difficult to pin down one exact feeling wi...

    Eliot engages with several themes in ‘The Love Song of J. Alfred Prufrock.’ These themes include anxiety, desire, and disappointment. The speaker’s interior life, hidden from the rest of the world, is alive for the reader. There, readers can understand the speaker’s hope and desire for a romantic connection and his struggle to act on that desire. H...

    ‘The Love Song of J. Alfred Prufrock’ by T.S. Eliot(Bio | Poems) is primarily written in free verse. This means that most of the lines do not follow a specific rhyme scheme or metrical pattern. But, the poem is not without either. Eliot briefly uses various meters, such as the common iambic pentameter and less common spondaic and trochaic feet. For...

    T.S. Eliot(Bio | Poems) uses several literary devices in ‘The Love Song of J. Alfred Prufrock.’ These include but are not limited to similes, examples of personification, and enjambment. The latter is a common literary device concerned with how a poet may or may not cut off a line before the end of a phrase or sentence—for example, the transitionbe...

    Line 1-12

    The opening line of ‘The Love Song of J. Alfred Prufrock,’ “Let us go then, you and I,” provides the reader with a hint that the poem needs to be read as an internalized, dramatic monologue. It also gives us the idea that the narrator is speaking to another person, and thus what is being said is a reflection of his own personality. In this case, the personality of Alfred J. Prufrock is one that’s pedantic, slightly miserable (“like a patient etherized upon a table”), and focused mainly on the...

    Lines 13-14

    Finally, there is a presence in the poem besides the voiceof J. Prufrock – the women talking of Michelangelo. Though they are a living presence, the focus on ‘Michelangelo’ actually serves to deaden them; they exist in the poem as a series of conversations, which Prufrock lumps into one category by calling them ‘the women.’ It sets the scene at a party and simultaneously sets Prufrock on his own: an island in the sea of academia, floating along on light sophistication and empty conversations....

    Lines 15-22

    Critics are divided as to the symbolism of the yellow smog. Michael North wrote, “The yellow fog that rubs its back upon the window-panes” appears clearly to every reader as a cat. Still, the cat itself is absent, represented explicitly only in parts — back, muzzle, tongue — and by its actions — licking, slipping, leaping, curling. The metaphor has, in a sense, been hollowed out to be replaced by a series of metonyms, and thus it stands as a rhetorical introduction to what follows.” According...

    Eliot’s poem can be sourced from his book Collected Poems 1909-1962. Roger Mitchell wrote, in this poem: “J. Alfred Prufrock is not just the speaker of one of Eliot’s poems. He is the Representative Man of early Modernism. Shy, cultivated, oversensitive, sexually retarded (many have said impotent), ruminative, isolated, self-aware to the point of s...

    Readers who enjoyed ‘The Love Song of J. Alfred Prufrock’ should also consider T.S. Eliot’s best poems, including the following: 1. ‘Portrait of a Lady‘– published in 1915. It describes a relationship between a callous young man and an older woman. 2. ‘Sweeny Erect‘ – introduces one of Eliot’s best-known characters, Sweeney, in a brothel alongside ...

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  2. Learn More. "The Love Song of J. Alfred Prufrock" was first published by British poet T. S. Eliot in 1915; Eliot later included it as the title poem in his landmark 1917 collection Prufrock and Other Observations. The poem is a dramatic monologue whose brooding speaker relays the anxieties and preoccupations of his inner life, as well as his ...

  3. 1. 1915 THE LOVE SONG OF J. ALFRED PRUFROCK T.S. Eliot. 2. Eliot, T. (Thomas) S. (Stearns) (1888-1965) - American-born naturalized English poet and critic. Recognized as one of the major poets of the 20thcentury, Eliot is known for his innovative poetic technique and his use of uncoventional subject matter. He was awarded the Nobel Prize in 1948.

  4. Yes: even arms are imbued with curious symbolism in Eliot’s poem. Prufrock has noticed the women’s arms – white and bare, and wearing bracelets – just as he is attracted by the smell of the perfume on the women’s dresses. He seems simultaneously attracted to the women and unwilling, or unable, to envision asking one of them out.

  5. The Gift of Love. At its core, Christmas is a celebration of love. It is a time to cherish our relationships, express gratitude, and spread kindness to those around us. The following poem beautifully encapsulates this sentiment: "Love Came Down at Christmas" by Christina Rossetti. Stars and angels gave the sign.

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  7. Nov 1, 2024 · As carols are sung, filling hearts everywhere. The flashing lights on trees, shining oh so bright, Reminds us of hope, and the promise of eternal might. In this season of giving, let's lend a hand, To those in need, across the land. For Christmas is about love, and spreading joy, To every girl, every boy.

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