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  1. CONTENTS Acknowledgments xiii Introduction: F. T. Marinetti and the Development of Futurism Lawrence Rainey 1 Part One Manifestos and Theoretical Writings Introduction to Part One Lawrence Rainey 43

  2. Feb 15, 2020 · Download full-text PDF Read full-text. Download full-text PDF. ... which are considered to be in futuristic style under utopian and ... The term does not define being set in the future as a ...

  3. Futurism was a twentieth-century Italian and Russian avant-garde movement in literature and arts. It promoted extreme artistic innovation and experimentation, declaring a radical disassociation from the past and a focus on new art, technology, and politics, commonly manifested through primitivism. The Futurists strongly rejected the self-awareness behind the overextended lyricism of Symbolism ...

  4. Oct 2, 2014 · Retrofuturism encompasses multiple strands and meanings in twentieth-century culture, including the identification of “the future” as a style, as well as content that highlights nostalgia, irony, and time-bending dislocation. By the late twentieth century, retrofuturism surged through popular culture, from films to comic books, buildings to television programs, engaging the relationship ...

  5. It served as the combination of modernism with eloquent materials and fine craftsmanship. It was under heavy influence of the dauntless geometric patterns of Cubism and the sharp colors of Fauvism. Art Deco was considered a futuristic style in 1920s and 1930s due to its streamlined use of delicate forms.

  6. May 26, 2022 · The articles in this special issue use concepts, methods and approaches in modern stylistics to examine contemporary fiction, a diverse genre that reinforces, disrupts and refreshes readers’ understanding of character, structure and style, bringing together a number of research strands to investigate distinctive style choices and the effects of those choices on readers.

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  8. the paper with demented writing. Our hearts were filled with an immense pride at feeling ourselves standing quite alone, like lighthouses or like the sentinels in an outpost, facing the army of enemy stars encamped in their celestial bivouacs. Alone with the engineers in the infernal