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Four Fields of Music Making and Sustainable Living. Thomas Turino. Abstract. This paper introduces and summarizes a framework for thinking about music making. in relation to four distinct social fields: participatory performance, presentational. performance, high fidelity recording, and studio audio art recording.
Apr 14, 2014 · Turino divides music into four big categories: Participatory music. Everyone present is actively doing something: playing an instrument, singing or chanting, and/or dancing. For example: a bluegrass jam, campfire singing, a hip-hop cypher. Presentational music. There’s a clear divide between the performers and the audience.
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This chapter has aimed to demonstrate how qualitative research methods offer at least a partial solution to exploring the expectations and experiences of live classical music audiences, particularly where talk-based and visual methods are deployed in ways that aim to understand audience experiences without disrupting them. The three case studies ha...
Burland, Karen, and Pitts, Stephanie E. (eds). Coughing and Clapping: Investigating Audience Experience. Farnham: Ashgate, 2014. Crossick, Geoffrey and Kaszynska, Patriczia. ‘Under construction: towards a framework for cultural value,’ Cultural Trends, 23(2), 2014, pp. 120–131. Hesmondhalgh, David. Why Music Matters. Malden, MA: Wiley/Blackwell, 20...
I gratefully acknowledge my inspiring collaborators in the Sheffield Performer and Audience Research Centre (SPARC), past and present, particularly the researchers involved in the projects represented here: Katy Robinson, Dr Lucy Dearn, Dr Jonathan Gross and Dr Sarah Price. I would like to dedicate the article to Professor Christopher Spencer (1943...
May 22, 2014 · Presentational music is that which is more passively experienced. This can occur in a performer/listener situation or when one listens to a CD. Participational music is that is “done” together. It is social, communicative, and interactive. This can occur when actively engaged and sharing in a music experience with others: singing together ...
Apr 26, 2019 · For non-Open Access articles published, all supplemental material carries a non-exclusive license, and permission requests for re-use of supplemental material or any part of supplemental material shall be sent directly to the copyright owner as specified in the copyright notice associated with the article.
- Jutta Toelle, John A Sloboda
- 2021
Apr 11, 2023 · In most non-Western and pre-modern Western music cultures, music-making is a social activity that brings whole communities together as players or dancers (Turino 2008). Even the linear forms of music and sound performance that modernity has instituted leave space for sonic participation in the form of clapping, booing, or whistling the performers.
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In these two examples from sport and music, the rules and dynamics of the participatory activity are negotiated and co-developed to both main-tain stability and to push the dynamics of the performance in new directions, that is, to keep the performance interesting, challenging, and coherent.
