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Oct 10, 2024 · Understanding Ethnomusicology. Ethnomusicology is the study of music in cultural context, and it encompasses a wide range of approaches and methods. Ethnomusicologists seek to understand how music is created, performed, and experienced within different cultures around the world. One key aspect of ethnomusicology is its focus on musical systems.
Reggae and Its African-Caribbean Roots. Reggae, which originated in Jamaica in the 1960s, is deeply rooted in the African and Caribbean cultural heritage. It evolved from earlier genres like ska and rocksteady, and its rhythmic style was greatly influenced by traditional African music and American jazz and blues.
Mar 3, 2023 · Matsumoto and Hwang (2013) term these “culture-specific” and “culture-general” approaches, respectively (p. 850) and argue that most available 3C assessments of intercultural competence are only suited to culture-general approaches. In other words, the evaluation tools currently available are designed to measure individuals’ sensitivity to all foreign cultures, rather than a specific ...
Here, music education in a culture becomes music. education as culture. To adherents of an "open society" view of multiculturalism, allegiance to. the traditional music of one's particular cultural heritage represents an. obstacle to social unity and to the development of loyalty to the new secular corporate society.
The key role high of education as a structural factor enabling cultural participation is a worthy reminder of the fact that culture and the arts have preserved their position as markers of social status and cultural capital and that Bourdieu’s assumption that cultural capital is a skill for navigating the dominant culture and obtaining returns through the formal education system remains ...
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Apr 26, 2019 · This study aimed to uncover potential effects on and meanings experienced by audience members who participated in performances (‘participants’) of intentional efforts to integrate participatory elements in art music practice.
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Introduction. Every music performance is a live experience for everybody present. These live experiences are produced through the interaction between musicians, audience members, and the environ-ment; as experiences, they are spontaneously co-created by all actors (Auslander, 2008; O’Reilly, Larsen, & Kubacki, 2014).
