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  1. Aug 23, 2023 · Suites are ordered sets of movements tied together by themes and tonalities. Suites are often associated with the Baroque and Classical periods. Suites can be utilized in various genres, including jazz and film music. Suites provide a structured framework for creative exploration and thematic coherence.

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  2. A suite, in Western classical music, is an ordered set of instrumental or orchestral / concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a prelude.

  3. The suite is a fundamental form in classical music, tracing its roots back to the Renaissance and Baroque periods. It has evolved over centuries, serving as a

  4. Answer: the word ‘suite’. The French word ‘suite’ means ‘following on from’, ‘continuation’, or simply ‘attached to’. Around the middle of the 16th century, someone seems to have hit on the idea of using the word to signify dances designed to be performed together – though at this stage it was rarely more than a pair.

  5. Jun 29, 2011 · Introduction. The French word “suite” derives from “suivre” (“to follow”); thus, it denotes a succession of constituent parts that can be in a specific order or more generally in a group associated with something central. Musically, a suite is a series of distinct instrumental movements or sections with some element of unity ...

  6. In music, the terms 'suite' refers to a set of instrumental pieces, written for either a soloist. or a group of players (chamber orchestra, band, symphonic orchestra). The first suites date from the 14th century, and were often a simple set of ordered dances. By the Baroque period, though, the suite had become an important musical form, with a ...

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  8. An introductory piece of music, most commonly, an orchestral opening to an act of an opera. It also is the first movement of a suite or a piece preceding a fugue. Fugue . A form of composition popular in, but not restricted to, the Baroque era, in which a theme or subject is introduced by one voice, and is imitated by other voices in succession.

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