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- a very beautiful and important painting, drawing, etc: They stole several valuable works of art. be a work of art to be something that is beautiful or needed a lot of skill to create: Have you seen the wedding cake? It's a work of art.
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A work of art refers to a creative output which is recognized primarily for its aesthetic value, emotional power, or symbolic significance. This can encompass various forms such as paintings, sculptures, literature, music, films, architecture, and other mediums of expression.
Nov 3, 2023 · One could argue about the definition of art from a metaphysical perspective and debate the parameters of what is and is not art, but in common usage, the term art usually refers to visual arts. We call paintings art and we call books literature.
- Literature is an incredibly broad term, but it essentially refers to a number of different mediums through which oral, but generally written expres...
- Visual arts can be used in the literary arts through many different means, such as through illustrations. However, there is a long-standing relatio...
- It is possible that ancient cave paintings would have included performative components that entailed narratives. However, as the oral tradition in...
- This is often a particularly loaded question. It depends on whom you ask and how you were to define terms like art. If one were to only define art...
Definition. A work of art in the visual arts is a physical two- or three- dimensional object that is professionally determined or otherwise considered to fulfill a primarily independent aesthetic function.
- Introduction
- Representational Theories of Art
- Formalism
- Expression
- The Aesthetic Attitude
- The Institutional Theory of Art
- Anti-Essentialism
- Conclusion
- References
- Further Reading
George Dickie’s (1974) “What is Art? An Institutional Analysis” begins by surveying historical attempts to define art according to necessary and sufficient conditions. As such, it would seem to serve as a useful point of departure to the subject of this chapter. However, reading this essay today, with knowledge of the various challenges to classifi...
The words “representation” or “imitation” generally signify philosophical theories of art which, if not directly, can be traced back to the work of Plato (424/423–348/347 BCE) and Aristotle (384-322 BCE). Following Plato, such theories suggest art is essentially mimetic, meaning its primary objective is to represent an exterior and more authentic r...
Throughout modernism, critics have consistently correlated form with aesthetic value mediated by judgments of taste. Clement Greenberg considered the aesthetic to be a test of whether a given practice qualified as art. His early text “Avant-Garde and Kitsch” (1939) was a defence of taste (high culture) against kitsch, or culture generated out of ma...
If we define art according to its expressivity, we immediately have to contend with the diversity of practices people have considered expressive. For example, the colour harmonies of Wassily Kandinsky’s abstract compositions and Stuart Brisley’s visceral performances are obviously very different types of art practice, but both artists describe thei...
Theories of “aesthetic attitude” are less concerned with isolating essential characteristics of artworks, than with describing a certain state of receptivity or the conditions of spectatorship which make the experience of art possible. According to these theories, to attend to art properly we must enact a special kind of distancing, or “disinterest...
This chapter opened by discussing Dickie’s (1974) “What is Art? An Institutional Theory of Art.” Alongside Arthur Danto’s “The Artworld” (1964), these two texts outline an “institutional theory of art.” For Danto, “The Artworld” describes an enclosed and self-reproducing system of institutions, discourses, critics, publishers, and artists, all of w...
Representation, formalism, expression, aesthetic attitude, and institutionality each constitute dimensions of art practice, but they do violence to the heterogeneity of art practice when we make them function as art’s necessary and sufficient conditions. To traverse the impasse, we might address the question differently, by asking what variable con...
From narrow definitions of art based on representation, form, expression, or residing in a specific aesthetic attitude or institutional framework, we have developed a position that insists upon such criteria as mutable and historically contingent. This contingency is revealed by both careful philosophical reading and the agency of contemporary artw...
Aristotle. (335 BCE) 1996. Poetics. Translated by Malcolm Heath. London and New York: Penguin. Bell, Clive. (1914) 2002. “The Aesthetic Hypothesis.” In Art in Theory 1900–2000: An Anthology of Changing Ideas, edited by Charles Harrison and Paul Wood, 107–110. Oxford: Blackwell. Barthes, Roland. (1971) 1977. Image, Music, Text. New York: Hill and Wa...
Brunette, Peter, and David Wills, eds. 1994. Deconstruction and the Visual Arts. Cambridge: Cambridge University Press. Cazeaux, Clive, ed. 2000. The Continental Aesthetics Reader. London: Routledge. Foster, Hal, Rosalind Krauss, Yve-Alain Bois, and Benjamin H.D Buchloh. 2004. Art Since 1900: Modernism, Antimodernism and Postmodernism. London: Tham...
A work of literature becomes “canonical” when cultural institutions like schools or universities or prize committees classify it as a work of lasting artistic or cultural merit.
Oct 14, 2024 · As an art, literature might be described as the organization of words to give pleasure. Yet through words literature elevates and transforms experience beyond “mere” pleasure. Literature also functions more broadly in society as a means of both criticizing and affirming cultural values.
WORK OF ART definition: 1. an object made by an artist of great skill, especially a painting, drawing, or statue: 2. an…. Learn more.
