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  1. en.wikipedia.org › wiki › Work_of_artWork of art - Wikipedia

    Definition. A work of art in the visual arts is a physical two- or three- dimensional object that is professionally determined or otherwise considered to fulfill a primarily independent aesthetic function. A singular art object is often seen in the context of a larger art movement or artistic era, such as: a genre, aesthetic convention, culture ...

  2. Definition. A work of art refers to a creative output which is recognized primarily for its aesthetic value, emotional power, or symbolic significance. This can encompass various forms such as paintings, sculptures, literature, music, films, architecture, and other mediums of expression. Etymology. The phrase

  3. Oct 12, 2024 · The meaning of WORK OF ART is a product of one of the fine arts; especially : a painting or sculpture of high artistic quality. How to use work of art in a sentence.

    • Introduction
    • Representational Theories of Art
    • Formalism
    • Expression
    • The Aesthetic Attitude
    • The Institutional Theory of Art
    • Anti-Essentialism
    • Conclusion
    • References
    • Further Reading

    George Dickie’s (1974) “What is Art? An Institutional Analysis” begins by surveying historical attempts to define art according to necessary and sufficient conditions. As such, it would seem to serve as a useful point of departure to the subject of this chapter. However, reading this essay today, with knowledge of the various challenges to classifi...

    The words “representation” or “imitation” generally signify philosophical theories of art which, if not directly, can be traced back to the work of Plato (424/423–348/347 BCE) and Aristotle (384-322 BCE). Following Plato, such theories suggest art is essentially mimetic, meaning its primary objective is to represent an exterior and more authentic r...

    Throughout modernism, critics have consistently correlated form with aesthetic value mediated by judgments of taste. Clement Greenberg considered the aesthetic to be a test of whether a given practice qualified as art. His early text “Avant-Garde and Kitsch” (1939) was a defence of taste (high culture) against kitsch, or culture generated out of ma...

    If we define art according to its expressivity, we immediately have to contend with the diversity of practices people have considered expressive. For example, the colour harmonies of Wassily Kandinsky’s abstract compositions and Stuart Brisley’s visceral performances are obviously very different types of art practice, but both artists describe thei...

    Theories of “aesthetic attitude” are less concerned with isolating essential characteristics of artworks, than with describing a certain state of receptivity or the conditions of spectatorship which make the experience of art possible. According to these theories, to attend to art properly we must enact a special kind of distancing, or “disinterest...

    This chapter opened by discussing Dickie’s (1974) “What is Art? An Institutional Theory of Art.” Alongside Arthur Danto’s “The Artworld” (1964), these two texts outline an “institutional theory of art.” For Danto, “The Artworld” describes an enclosed and self-reproducing system of institutions, discourses, critics, publishers, and artists, all of w...

    Representation, formalism, expression, aesthetic attitude, and institutionality each constitute dimensions of art practice, but they do violence to the heterogeneity of art practice when we make them function as art’s necessary and sufficient conditions. To traverse the impasse, we might address the question differently, by asking what variable con...

    From narrow definitions of art based on representation, form, expression, or residing in a specific aesthetic attitude or institutional framework, we have developed a position that insists upon such criteria as mutable and historically contingent. This contingency is revealed by both careful philosophical reading and the agency of contemporary artw...

    Aristotle. (335 BCE) 1996. Poetics. Translated by Malcolm Heath. London and New York: Penguin. Bell, Clive. (1914) 2002. “The Aesthetic Hypothesis.” In Art in Theory 1900–2000: An Anthology of Changing Ideas, edited by Charles Harrison and Paul Wood, 107–110. Oxford: Blackwell. Barthes, Roland. (1971) 1977. Image, Music, Text. New York: Hill and Wa...

    Brunette, Peter, and David Wills, eds. 1994. Deconstruction and the Visual Arts. Cambridge: Cambridge University Press. Cazeaux, Clive, ed. 2000. The Continental Aesthetics Reader. London: Routledge. Foster, Hal, Rosalind Krauss, Yve-Alain Bois, and Benjamin H.D Buchloh. 2004. Art Since 1900: Modernism, Antimodernism and Postmodernism. London: Tham...

  4. WORK OF ART definition: 1. an object made by an artist of great skill, especially a painting, drawing, or statue: 2. an…. Learn more.

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  6. Oct 14, 2024 · literature, a body of written works. The name has traditionally been applied to those imaginative works of poetry and prose distinguished by the intentions of their authors and the perceived aesthetic excellence of their execution. Literature may be classified according to a variety of systems, including language, national origin, historical ...

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