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  1. The first history of English poetry (1774–1781), by Thomas Warton, was to chart the same awareness of an older tradition. Warton’s understanding of this tradition, however, was an academic one in comparison with that of Chatterton, whose Rowley poems he learned of too late.

  2. Died. 24 August 1770 (1770-08-24) (aged 17) Holborn, London, England. Pen name. Thomas Rowley, Decimus. Occupation. Poet, forger. Thomas Chatterton (20 November 1752 – 24 August 1770) was an English poet whose precocious talents ended in suicide at age 17. He was an influence on Romantic artists of the period such as Shelley, Keats ...

  3. These three Eclogues are printed from a MS. furnished by Mr. Catcott, in the hand-writing of Thomas Chatterton. It is a thin copy-book in 4to. with the following title in the first page. "_Eclogues and other Poems by_ Thomas Rowley, _with a Glossary and Annotations by_ Thomas Chatterton."

  4. Metrics. Thomas Chatterton (1752–70) was only seventeen when he died of arsenic poisoning. Among his family and friends he was known as a versifier with a fascination for medieval manuscripts, but none suspected the true scope of his work. At eleven, he was already writing poetry, and by the end of his life his love poems, eclogues and forged ...

    • Thomas Chatterton
    • 1803
  5. THOMAS CHATTERTON: 1752 - 1770. Charles Edward Russell. The whole course of English poetry, its texture, aims, range, trend and de-. velopment were revolutionized by a boy that committed suicide in a starveling's garret before he was eighteen years old. No other fact in literary history is more remarkable than this; few facts in literary ...

  6. The poet and forger Thomas Chatterton (1752–70) is known today to have been the author of the Rowley poems, a series of compositions in medieval English. Chatterton claimed to have transcribed them from manuscripts written by a fifteenth-century monk, Thomas Rowley. After Chatterton's tragic early death, however, debate raged about the ...

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  8. Before becoming the archetypal Romantic poet, the ‘marvellous Boy’, and the inspiration for innumerable poems, plays, operas, novels, paintings, and lengthy, uninformative biographies, Thomas Chatterton had been a footnote to Rowley and Canynge, a local attraction in Bristol, and, above all, a function of what became known as the Rowley Controversy. 1

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