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Dec 8, 2018 · In the Victorian era, no one would ever think of telling a mourner that they had grieved long enough or that they should hurry up and get over it. Indeed it would have been a most egregious breach ...
the past, noting that even rigid mourning expectations were a significant improvement over the days when widows might be expected to sacrifice their very lives to join their husbands in the afterlife (Puckle 90). In this time of the expanding Empire, the Hindu practice of suttee became a common point of comparison (Puckle 37; Morley 68).
May 28, 2016 · Mourning the dead in the Victorian age was a very strict and formal event with many rules and regulations. By the 19th century, mourning behaviour in England had developed into a complex set of rules, particularly among the upper classes. For women, the customs involved wearing heavy, concealing, black clothing, and the use of heavy veils of ...
Comparing and Contrasting Victorian Mourning Practices with Modern-Day Funeral Customs. While some aspects of Victorian Mourning Rituals are still practiced today, many modern-day funeral customs have evolved from the Victorian era. For example, the mourning period is now less formal, and the use of black clothing is no longer the norm.
Another factor that contributed to the Victorian obsession with death was the rise of spiritualism. Many people believed in the possibility of communicating with the dead, and this belief was fueled by the popularity of mediums and séances. The idea of an afterlife and the possibility of reuniting with loved ones who had passed away provided ...
The Victorian era was defined by its strict social customs, and nowhere was this more evident than in its elaborate mourning practices. Picture a somber Victorian funeral procession: black-plumed horses pulling an ornate hearse, crowds dressed in mourning attire, the streets lined with mourners, and the solemn tolling of church bells in the background.
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The survivors need to manage their emotions while the deceased, despite the Victorian fascination with ghosts, are either contented souls in the afterlife or speechlessly locked in non-existence. There remains the question of the sincerity of these representations, and it could be argued that the imaging of death is not so much an amelioration of feelings as a substitute for genuine dismay.
