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  1. Nov 24, 2020 · Stephen M. Buhler’s book article “Reviving Juliet, Repackaging Romeo: Transformations of Character in Pop and Post-Pop Music” in the book Shakespeare After Mass Media examines the musical film West Side Story. Buhler indicates that this film presents the identification with youth and the subculture attributes “through music” (2002:243).

    • Iris H. Tuan
    • iristuan@nctu.edu.tw
    • 2020
  2. Sep 21, 2024 · Myers notes that more Black music business professionals have been hired in the industry since 2020, but that there's still lots of work to do. "Where we are now is in a moment where we need to ...

  3. 1 day ago · Before his death at the age of 33, Cooke had started to build a different kind of music industry that supported the work of Black artists. His pioneering work was carried on by producer Berry ...

  4. Jul 16, 2020 · Mustafah Abdulaziz for The New York Times. Black Artists on How to Change Classical Music. Nine performers describe the steps they recommend to begin transforming a white-dominated field. The ...

  5. Feb 19, 2021 · Director Justin Emeka creates his own version of the Shakespearen classic, recorded through Zoom and featuring an all-Black cast, which centers on the feud between an immigrant family from the West Indies and a family from a Black community in the United States. Pitt Arts will offer a free viewing of “Romeo N Juliet” for Pitt students on ...

  6. Nov 24, 2020 · Abstract. This chapter explores the significance of Shakespeare’s Romeo and Juliet represented in the films and pop music. By the theories of cultural theory and popular culture, I explore the ...

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  8. Nov 1, 1996 · These papers were written primarily by students and provide critical analysis of Romeo and Juliet (Film 1996). Romeo and Juliet: A Film Study. Appropriating Shakespeare’s Romeo and Juliet. Media Sensationalism in Baz Luhrmann's William Shakespeare's Romeo & Juliet. Mercutio in Two Romeo and Juliet Films.