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Dec 5, 2012 · IMcG: Equipment is very simple, we use Pro Tools with a variety of interfaces. For mics we use Shure SM58s and Rode NT-1As, as well as some Audio Technica shotguns. For recorders we just use Zoom H2s and Marantz PM660/661s. Most of the advanced students have access to their own equipment.
Feb 17, 2024 · Field recording offers authentic sounds to add realism to your tracks. Invest in quality gear and preparation to ensure the best captures. Integrate recordings creatively to add dimension to your music. Stay mindful of legalities and environment when recording in public. In this article.
Jun 22, 2024 · Field recording serves as a foundational element in the creation of acoustic music, experimental music, and ambient recordings, providing unique and immersive sonic experiences. The captured sounds can be utilized as raw material for sound effects in film, television, and video games, adding authenticity and depth to the auditory landscape.
5. Listen. Forget about recording for a while, just find a space you’re interested in and listen to it. Field recording is in many ways an art of patience attentiveness, a bit like bird watching. Once you’ve heard something interesting, then think about how best to record it. 6. Set record levels with care.
The use of field recordings in avant-garde, musique concrète, experimental, and, more recently, ambient music was evident almost from the birth of recording technology. Most noteworthy for pioneering the conceptual and theoretical framework with art music that most openly embraced the use of raw sound material and field recordings was Pierre Schaeffer , who was developing musique concrète as ...
Sep 23, 2018 · Field Recording: a rough guide. Field recording can be defined simply as capturing sounds outside of the studio. Indoors or outdoors, it can consist of natural or man-made sounds, or a combination of both. It is a subjective undertaking: the type of content being recorded and its intended use will dictate many aspects of how to approach it from ...
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2013. This is a collection of interviews with contemporary sound artists who use field recording in their work. From its early origins in wildlife sound and in ethnographic research, field recording has expanded over the last few decades into a diverse range of practices which explore and investigate aspects of the lived environment, from the microscopic to the panoramic, through the medium of ...
