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Jul 1, 2017 · The cultural definition tries to capture the complex and messy. phenomenon of art as accurately as possible, even if this means sacrificing some simplicity; it is as simple. as possible – but no ...
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- Various definitions of culture
- Evolution of “minding”
- Evolution of culture
- Culture and personality
culture, behaviour peculiar to Homo sapiens, together with material objects used as an integral part of this behaviour. Thus, culture includes language, ideas, beliefs, customs, codes, institutions, tools, techniques, works of art, rituals, and ceremonies, among other elements.
The existence and use of culture depends upon an ability possessed by humans alone. This ability has been called variously the capacity for rational or abstract thought, but a good case has been made for rational behaviour among subhuman animals, and the meaning of abstract is not sufficiently explicit or precise. The term symboling has been proposed as a more suitable name for the unique mental ability of humans, consisting of assigning to things and events certain meanings that cannot be grasped with the senses alone. Articulate speech—language—is a good example. The meaning of the word dog is not inherent in the sounds themselves; it is assigned, freely and arbitrarily, to the sounds by human beings. Holy water, “biting one’s thumb” at someone (Romeo and Juliet, Act I, scene 1), or fetishes are other examples. Symboling is a kind of behaviour objectively definable and should not be confused with symbolizing, which has an entirely different meaning.
What has been termed the classic definition of culture was provided by the 19th-century English anthropologist Edward Burnett Tylor in the first paragraph of his Primitive Culture (1871):
Culture . . . is that complex whole which includes knowledge, belief, art, morals, law, custom, and any other capabilities and habits acquired by man as a member of society.
In Anthropology (1881) Tylor made it clear that culture, so defined, is possessed by man alone. This conception of culture served anthropologists well for some 50 years. With the increasing maturity of anthropological science, further reflections upon the nature of their subject matter and concepts led to a multiplication and diversification of definitions of culture. In Culture: A Critical Review of Concepts and Definitions (1952), U.S. anthropologists A.L. Kroeber and Clyde Kluckhohn cited 164 definitions of culture, ranging from “learned behaviour” to “ideas in the mind,” “a logical construct,” “a statistical fiction,” “a psychic defense mechanism,” and so on. The definition—or the conception—of culture that is preferred by Kroeber and Kluckhohn and also by a great many other anthropologists is that culture is an abstraction or, more specifically, “an abstraction from behaviour.”
These conceptions have defects or shortcomings. The existence of behavioral traditions—that is, patterns of behaviour transmitted by social rather than by biologic hereditary means—has definitely been established for nonhuman animals. “Ideas in the mind” become significant in society only as expressed in language, acts, and objects. “A logical construct” or “a statistical fiction” is not specific enough to be useful. The conception of culture as an abstraction led, first, to a questioning of the reality of culture (inasmuch as abstractions were regarded as imperceptible) and, second, to a denial of its existence; thus, the subject matter of nonbiological anthropology, “culture,” was defined out of existence, and without real, objective things and events in the external world there can be no science.
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But even if almost nothing is known about the neuroanatomy of symboling, a great deal is known about the evolution of mind (or “minding,” if mind is considered as a process rather than a thing), in which one finds symboling as the characteristic of a particular stage of development. The evolution of minding can be traced in the following sequence of stages. First is the simple reflexive stage, in which behaviour is determined by the intrinsic properties of both the organism and the thing reacted to—for example, the contraction of the pupil of the eye under increased stimulation by light. Second is the conditioned reflex stage, in which the response is elicited not by properties intrinsic in the stimulus but by meanings that the stimulus has acquired for the responding organism through experience—for example, Pavlov’s dog’s salivary glands responding to the sound of a bell. Third is the instrumental stage, as exemplified by a chimpanzee knocking down a banana with a stick. Here the response is determined by the intrinsic properties of the things involved (banana, stick, chimpanzee’s neurosensory-muscular system); but a new element has been introduced into behaviour, namely, the exercise of control by the reacting organism over things in the external world. And, finally, there is the symbol stage, in which the configuration of behaviour involves nonintrinsic meanings, as has already been suggested.
These four stages exhibit a characteristic of the evolution of all living things: a movement in the direction of making life more secure and enduring. In the first stage the organism distinguishes between the beneficial, the injurious, and the neutral, but it must come into direct contact with the object or event in question to do so. In the second stage the organism may react at a distance, as it were—that is, through an intermediate stimulus. The conditioned reflex brings signs into the life process; one thing or event may serve as an indication of something else—food, danger, and so forth. And, since anything can serve as a sign of anything else (a green triangle can mean food, sex, or an electric shock to the laboratory rat), the reactions of the organism are emancipated from the limitations that stage one imposes upon living things, namely, the intrinsic properties of things. The possibility of obtaining life-sustaining things and of avoiding life-destroying things is thus much enhanced, and the security and continuity of life are correspondingly increased. But in stage two the organism still plays a subordinate role to the external world; it does not and cannot determine the significance of the intermediary stimulus: the bark of a distant dog to the rabbit or the sound of the bell to Pavlov’s dog. This meaning is determined by things and events in the external world (or in the laboratory by the experimenter). In stages one and two, therefore, the organism is at the mercy of the external world in this respect.
In the third stage the element of control over environment is introduced. The ape who obtains food by means of a stick (tool) is not subordinate to his situation. He does not merely undergo a situation; he dominates it. His behaviour is not determined by the juxtaposition of things and events; on the contrary, the juxtaposition is determined by the ape. He is confronted with alternatives, and he makes choices. The configuration of behaviour in stage three is constructed within the dynamic organism of the ape and then imposed upon the external world.
The evolution of minding is a cumulative process; the achievements of each stage are carried on into the succeeding one or ones. The fourth stage reintroduces the factor of nonintrinsic meanings to the advances made in stages two and three. Stage four is the stage of symboling, of articulate speech. Thus, one observes two aspects of the evolution of minding, both of which contribute to the security and survivability of life: the emancipation of behaviour from limitations imposed upon it by the external world and increased control over the environment. To be sure, neither emancipation nor control becomes complete, but quantitative increase is significant.
The direction of biologic evolution toward greater expansion and security of life can be seen from another point of view: the advance from instinctive behaviour (i.e., responses determined by intrinsic properties of the organism) to learned and freely variable behaviour, patterns of which may be acquired and transmitted from one individual and generation to another, and finally to a system of things and events, the essence of which is meanings that cannot be comprehended by the senses alone. This system is, of course, culture, and the species is the human species. Culture is a man-made environment, brought into existence by the ability to symbol.
Once established, culture has a life of its own, so to speak; that is, it is a continuum of things and events in a cause and effect relationship; it flows down through time from one generation to another. Since its inception 1,000,000 or more years ago, this culture—with its language, beliefs, tools, codes, and so on—has had an existence external to each individual born into it. The function of this external, man-made environment is to make life secure and enduring for the society of human beings living within the cultural system. Thus, culture may be seen as the most recent, the most highly developed means of promoting the security and continuity of life, in a series that began with the simple reflex.
Society preceded culture; society, conceived as the interaction of living beings, is coextensive with life itself. Man’s immediate prehuman ancestors had societies, but they did not have culture. Studies of monkeys and apes have greatly enlarged scientific knowledge of their social life—and, by inference, the scientific conception of the earliest human societies. Data derived from paleontological sources and from accumulating studies of living, nonhuman primates are now fairly abundant, and hypotheses derived from these are numerous and varied in detail. A fair summary of them may be made as follows: The growth of the primate brain was stimulated by life in the trees, specifically, by eye-hand coordinations involved in swinging from limb to limb and by manipulating food with the hands (as among the insectivorous lemurs). Descent to the ground, as a consequence of deforestation or increase in body size (which would tend to restrict arboreal locomotion and increase the difficulty of obtaining enough food to supply increased need), and the assumption of erect posture were other significant steps in biologic evolution and the eventual emergence of culture. Some theories reject the arboreal stage in man’s evolutionary past, but this does not seriously affect the overall conception of his development.
The Australopithecines of Africa, extinct manlike higher primates about which reliable knowledge is very considerable today, exemplify the stage of erect posture in primate evolution. Erect posture freed the arms and hands from their earlier function of locomotion and made possible an extensive and versatile use of tools. Again, the eye-hand-object coordinations involved in tool using stimulated the growth of the brain, especially the forebrain. It is not possible to determine on the basis of paleontological evidence the precise point at which the ability to symbol (specifically, articulate speech) was realized, as expressed in overt behaviour. It is believed by some that man’s prehuman ancestors used tools habitually and that habit became custom through the transmission of tool using from one generation to another long before articulate speech came into being. In fact, some theorists hold, the customary use of tools became a powerful stimulus in the development of a brain that was capable of symboling or articulate speech.
Since the infant of the human species enters the world cultureless, his behaviour—his attitudes, values, ideals, and beliefs, as well as his overt motor activity—is powerfully influenced by the culture that surrounds him on all sides. It is almost impossible to exaggerate the power and influence of culture upon the human animal. It is powerful enough to hold the sex urge in check and achieve premarital chastity and even voluntary vows of celibacy for life. It can cause a person to die of hunger, though nourishment is available, because some foods are branded unclean by the culture. And it can cause a person to disembowel or shoot himself to wipe out a stain of dishonour. Culture is stronger than life and stronger than death. Among subhuman animals, death is merely the cessation of the vital processes of metabolism, respiration, and so on. In the human species, however, death is also a concept; only man knows death. But culture triumphs over death and offers man eternal life. Thus, culture may deny satisfactions on the one hand while it fulfills desires on the other.
The predominant emphasis, perhaps, in studies of culture and personality has been the inquiry into the process by which the individual personality is formed as it develops under the influence of its cultural milieu. But the individual biologic organism is itself a significant determinant in the development of personality. The mature personality is, therefore, a function of both biologic and cultural factors, and it is virtually impossible to distinguish these factors from each other and to evaluate the magnitude of each in particular cases. If the cultural factor were a constant, personality would vary with the variations of the neurosensory-glandular-muscular structure of the individual. But there are no tests that can indicate, for example, precisely how much of the taxicab driver’s ability to make change is due to innate endowment and how much to cultural experience. Therefore, the student of culture and personality is driven to work with “modal personalities,” that is, the personality of the typical Crow Indian or the typical Frenchman insofar as this can be determined. But it is of interest, theoretically at least, to note that even if both factors, the biologic and the cultural, were constant—which they never are in actuality—variations of personality would still be possible. Within the confines of these two constants, individuals might undergo a number of profound experiences in different chronological permutations. For example, two young women might have the same experiences of (1) having a baby, (2) graduating from college, and (3) getting married. But the effect of sequence (1), (2), (3) upon personality development would be quite different than that of sequence (2), (3), (1).
Jul 21, 2017 · It argues that an object is art in a given context iff some person (s) culturally competent in this context have afforded it the status of a candidate for appreciation for reasons considered good in this context. This weakly institutional view is supplemented by auxiliary definitions explaining the notions of cultural contexts, competence, and ...
- Simon Fokt
- 2017
Art is a fundamental element of human expression woven into the fabric of civilization since ancient times. Through its evolution and adaptation, art has continued to reflect society’s cultural beliefs, values, and norms while catalyzing change and growth. The power of art to influence how we live, think, and interact with one another is ...
Oct 23, 2007 · The definition of art itself is as follows: ∃Z∃Y (Art iff (Z ∨ Y)), where (a) Z and Y, formed from properties on Gaut’s cluster list, are either non-empty conjunctions or non-empty disjunctions of conjunctions or individual properties; (b) there is some indeterminacy over exactly which disjuncts are sufficient; (c) Z does not entail Y and Y does not entail Z; (d) Z does not entail Art ...
Mar 25, 2020 · Art and culture also provide a commanding and democratic way of sharing, shaping, and expressing human values. They allow us to explore our inner capabilities and give us insight into how we imagine and use different means to relate with each other. Art and culture also provide us with a way to create useful and meaningful things whilst ...
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The cultural theory defines art by referring to reasons for affording the status, some of which mention “art.”. Moreover, it is assumed that the cultural competence required to afford the status includes the knowl-edge and skills related to art. Fortunately, the circularity is only apparent.
