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May 15, 2024 · According to the group intimacy account, cultural appropriation is wrong if it violates a moral claim (that is not based on property rights) that cultural groups can have over their cultural objects, such that non-members should abide by the group's wishes regarding whether and how their cultural objects are used.
Aug 16, 2023 · Cultural appropriation is a broad umbrella term for a number of phenomena related to the borrowing of elements of a culture other than one’s own. This chapter summarizes arguments that have been offered in recent debates among analytic philosophers and other commentators concerning the normativity of cultural appropriation.
Jul 12, 2018 · Is there something morally wrong with employing artistic styles that are distinctive of a culture to which you do not belong? What is the relationship between cultural heritage and group identity? Is there a coherent and morally acceptable sense of cultural group membership in the first place?
Apr 10, 2009 · The Ethics of Cultural Appropriation undertakes a comprehensive and systematic investigation of the moral and aesthetic questions that arise from the practice of cultural appropriation.
Mar 2, 2022 · Cultural appropriation is ‘retracted’ into the dominant subject to the extent that this appropriation can be upheld in symbolic terms: as a subjective entitlement to marginalised identities that may – or crucially, may not – overlap with objective conditions of ownership.
Apr 3, 2023 · Cultural Appreciation Discourse and the Ethnic Consumer Subject. The discourse of cultural appreciation, rooted in the ideology of neoliberal multiculturalism, foregrounds moral interpretations of consuming cultural difference as a desirable and depoliticized consumer identity project.
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Aug 30, 2021 · Cultural appropriation is a highly contested subject within the media and society more broadly, often provoking moral outrage. It is receiving increasing interest within the academy and the last 20 years have seen the publication of a number of important studies.
