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Box office. $20.1 million [14] Mulholland Drive (stylized as Mulholland Dr.) is a 2001 surrealist neo-noir mystery film written and directed by David Lynch, and starring Justin Theroux, Naomi Watts, Laura Harring, Ann Miller, and Robert Forster. It tells the story of an aspiring actress named Betty Elms (Watts), newly arrived in Los Angeles ...
Feb 1, 2022 · For the first two-thirds of the film, "Mulholland Drive" actually has a fairly straightforward plot structure. Wholesome mid-westerner Betty Elms (Naomi Watts) arrives in Hollywood with dreams of ...
Jul 5, 2018 · The magician is forcing her to face the truth; to deconstruct her fantasy, to open the box and let the harsh truth come out. Mulholland Drive is one of those cinematic marvels which come once in a decades. It is the stuff which dreams and delusions are made of. It is the brainchild of an artistic mastermind like none other.
Sep 9, 2021 · The old couple miniatures reappear by the front door. Diane begins screaming; the old couple, now full sized, are tormenting her, laughing and waving their arms. Diane, chased by the couple, runs ...
- Jakob Zaaiman
Jul 28, 2023 · Mulholland Drive accident - Bar talk - Betty arrives. Even before the opening credits, we see a group of people dancing – it must be the sixties, the madness of rock and roll and swing. The shadows of these people seem to have lives of their own; although they seem to faithfully reflect the dancers’ movements, they seem to have a slightly irritating delay, which introduces an element of ...
4 days ago · 1. Mulholland Drive (2001) – Behind Winkie’s Diner. Perhaps the most Lynchian of all the sequences in his filmography, the Winkie’s Diner is the perfect mixture of ambiguous surrealism and a sense of ominous foreboding. Lynch destroys the boundaries between dreams and reality with this one memorable scene.
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In Mulholland Drive, Lynch masterfully distorts time and space. The narrative defies linear storytelling, faceting reality like a prism breaks light. Here, the viewer’s engagement is not just with the characters or plot, but with the struggle to distinguish the real from the illusory.
