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The Final Bow (2019) Bare as Bone, Bright as Blood (2020) Bare as Bone, Bright as Blood is the thirteenth and final studio album by the English rock band Pretty Things. It was released in September 2020, a few months after the death of lead singer Phil May. Professional ratings.
Sep 29, 2020 · Band member George Woosey is the author of “Bright As Blood”, a tune he first cut in 2017 as one half of Brighton-based duo Dull Knife. Here the band accentuate its folk roots, ...
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Jul 30, 2015 · Final track Dirty Song ’s prowling, portentous atmosphere and insistent, mantric riff is reminiscent of Cream’s most darkly lascivious moments. In between those two, however, the influence of feisty new band recruits George Woosey (bass) and Jack Greenwood (drums) can be heard in the thunderous reading of Sky Saxon And The Seeds’ old b ...
Jun 8, 2021 · All of the band members as well as manager/producer Mark St John contribute to the songwriting, including the two junior members, bass player George Woosey (who co-wrote three songs) and drummer Jack Greenwood, whose skills are showcased on the instrumental jam “Greenwood Tree.” “The Same Sun,” written by Dick Taylor and Mark St John, opens the album, and in another, kinder era would ...
Pretty Things were an English rock band formed in September 1963 in Sidcup, Kent, taking their name from Bo Diddley 's 1955 song " Pretty Thing ", and active in their first incarnation until 1971. They released five studio albums, including the debut The Pretty Things (UK Albums Chart #6) and S. F. Sorrow (the first rock opera), four EPs and 15 ...
Aug 8, 2020 · New single “Bright As Blood” see’s Phil May and Dick Taylor embrace moving new folk, Americana and bluegrass overtones, coupled with Jon Wigg’s rootsy fiddle and Sam Brother’s hillbilly banjo that sit alongside writer, George Woosey’s hypnotic, driving guitar and a vocal performance from May that is as open and vulnerable as we ever ...
Aug 7, 2020 · New single "Bright As Blood" see’s Phil May and Dick Taylor embrace moving new folk, Americana and bluegrass overtones, coupled with Jon Wigg’s rootsy fiddle and Sam Brother’s hillbilly banjo that sit alongside writer, George Woosey’s hypnotic, driving guitar and a vocal performance from May that is as open and vulnerable as we ever ...
