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- Essentially, scenographics afford a timely lens for art historians to investigate how world feelings are engineered, affirmed, or enacted through art practices and everyday life.
www.researchgate.net/publication/354507090_At_the_borders_of_scenography
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How can scenographics help art historians?
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Can scenography theory help art historians understand the mis en scène process?
May 31, 2021 · For the art historian, perhaps studying architecture, scenographics can help accounting for how temporary interventional features – such as occupying the street actions or graffiti – reveal and expose the ideological charges and normativities underpinning the situations.
- Astrid von Rosen
- 2021
By mobilizing scenography theory, Terracciano constructively contrib-utes to overcoming academic orthodoxies that divide insider and outsider perspec-tives, to argue for the crucial importance of art in contested societies.
- Astrid von Rosen
- 2021
Sep 10, 2021 · The interface of scenography and art history provides an apt context from which to re-map and re-think the underlying borders and anti-theatrical biases that frame scenographic cultures.
- Rachel Hann
Dec 27, 2023 · At the most basic level, art historians analyze function by identifying types—an altarpiece, portrait, Book of Hours, tomb, palace, etc. Studying the history and use of a given type provides a context for understanding specific examples.
Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields.
- 1st
- Ebook (Epub & Mobi)
- 256
- May 20 2021
The origins of the term ‘scenography’ are associated with both scene painting and architectural perspective drawing. 1 In the twentieth century the term has gradually gained currency by drawing attention to the way stage space can be used as a dynamic and ‘kinaesthetic contribution’ to the experience of performance. 2 This suggests a ...
Today, collabor-ations with artist and scenographers are often initiated by museums in order to shake things up, to open up for new, lost, and denied stories, and to create dynamic dialogue between the past and the present.
