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Oct 26, 2021 · Moreover, last August to September 2021, the 17th Cinemalaya Philippine Independent Film Festival was to coincide with the online release of its slate of short films with a hybrid drive-in cinema called “Cinema Under the Stars,” located at the Cultural Center of the Philippines’ (CCP) Liwasang Ullalim. With the government’s constant mishandling of the current situation and the arrival ...
Sep 2, 2021 · The Japanese occupation of The Philippines had a devastating effect on local film production. Stories reflecting nationalistic themes, especially the comedies which celebrated the population’s naturally optimistic view of life, were replaced by Japanese propaganda pictures that were forcibly produced by Manila’s production community.
Particularly in Intolerance, cutting between the four storylines of the film establishes a single, oddly distended present in which all four follow the same path, though it is also clear they are widely separated in historical time. With his motif of the “cradle endlessly rocking,” Griffith claims that this present is both instantaneous and eternal.
Sep 26, 2021 · Read this in The Manila Times digital edition. Since the onset of Covid-19, the Philippine film industry has faced incredible drawbacks — from the continued closure of cinemas which affected the production of local films, to the challenges plaguing the safe conduct of production activities and onsite events. This has undeniably put a damper ...
Jul 7, 2021 · The Philippines is made up of dozens of ethnolinguistic groups that developed independently of each other, generating their own specific cultures. This might help inform the second segment of the movie, where these kids from Tuguegarao are made to celebrate a national language that isn’t indigenous to the region, and made to rehearse a folk dance that isn’t in any way connected to their folk.
2021. The “new cinema” was a loose film movement in the Philippines in the 1970s-80s known for combining nationalist and social themes with melodramatic form. Film scholarship in the Philippines has traditionally historicized the “new cinema” through an affirmative, national lens.
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Netflix reports a 60 percent increase in shares and $235 billion-worth of new subscriptions. New streaming platforms have offered competition to respond to the growing demand. New situations give birth to the emergence of new trends. Even pre-pandemic, the Philippine film industry is in constant flux.
