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Oct 26, 2021 · Moreover, last August to September 2021, the 17th Cinemalaya Philippine Independent Film Festival was to coincide with the online release of its slate of short films with a hybrid drive-in cinema called “Cinema Under the Stars,” located at the Cultural Center of the Philippines’ (CCP) Liwasang Ullalim. With the government’s constant mishandling of the current situation and the arrival ...
Sep 5, 2021 · Philippine Film Industry Month will be celebrated every September, an annual month-long observation mandated by President Duterte through Presidential Proclamation No. 1085 signed on February 3, 2021. The celebration hopes to recognize the “invaluable contribution and sacrifices of all stakeholders and sectors of the film industry.’’.
Sep 2, 2021 · The Japanese occupation of The Philippines had a devastating effect on local film production. Stories reflecting nationalistic themes, especially the comedies which celebrated the population’s naturally optimistic view of life, were replaced by Japanese propaganda pictures that were forcibly produced by Manila’s production community.
Oct 28, 2011 · David Wark Griffith (b. 1875–d. 1948) continues to generate a broad range of critical reaction. Although acknowledged as America’s seminal director of narrative film (and certainly the most influential), he is also perceived as being among the most limited. Praise for his mastery of film technique is matched by repeated indictments of his ...
Particularly in Intolerance, cutting between the four storylines of the film establishes a single, oddly distended present in which all four follow the same path, though it is also clear they are widely separated in historical time. With his motif of the “cradle endlessly rocking,” Griffith claims that this present is both instantaneous and eternal.
Its exploratory project – integrative film scholarship in the region – fleshes out critical issues and discourses in independent cinema, such as its definition and diversity of forms, global context, practitioners (particularly their artistic manifestos and insights on their own filmmaking), crossroads with economy (e.g., mainstream cinema) and culture (e.g., religion), and prospects.
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2021. The “new cinema” was a loose film movement in the Philippines in the 1970s-80s known for combining nationalist and social themes with melodramatic form. Film scholarship in the Philippines has traditionally historicized the “new cinema” through an affirmative, national lens.
