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Oct 26, 2021 · Moreover, last August to September 2021, the 17th Cinemalaya Philippine Independent Film Festival was to coincide with the online release of its slate of short films with a hybrid drive-in cinema called “Cinema Under the Stars,” located at the Cultural Center of the Philippines’ (CCP) Liwasang Ullalim. With the government’s constant mishandling of the current situation and the arrival ...
Sep 2, 2021 · The Japanese occupation of The Philippines had a devastating effect on local film production. Stories reflecting nationalistic themes, especially the comedies which celebrated the population’s naturally optimistic view of life, were replaced by Japanese propaganda pictures that were forcibly produced by Manila’s production community.
Sep 26, 2021 · Read this in The Manila Times digital edition. Since the onset of Covid-19, the Philippine film industry has faced incredible drawbacks — from the continued closure of cinemas which affected the production of local films, to the challenges plaguing the safe conduct of production activities and onsite events. This has undeniably put a damper ...
The Full Circle Lab Philippines (FCL PH), a talent development program organized by FDCP with Tatino Films, also commenced last September 20. The 3rd edition of FCL PH has chosen a total of 24 prime projects out of 155 applications from the Philippines and Southeast Asia. This year, with the newly added Creative Producers Lab, the FCL took ...
Established with the twin goals of “[encouraging] the creation of new cinematic works by Filipino filmmakers—works that boldly articulate and freely interpret the Filipino experience with fresh insight and artistic integrity” and “[invigorating] Philippine filmmaking by developing a new breed of Filipino filmmakers,” Cinemalaya has been instrumental in the recent rise of what ...
2021. The “new cinema” was a loose film movement in the Philippines in the 1970s-80s known for combining nationalist and social themes with melodramatic form. Film scholarship in the Philippines has traditionally historicized the “new cinema” through an affirmative, national lens.
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Netflix reports a 60 percent increase in shares and $235 billion-worth of new subscriptions. New streaming platforms have offered competition to respond to the growing demand. New situations give birth to the emergence of new trends. Even pre-pandemic, the Philippine film industry is in constant flux.
