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  1. Dec 7, 1997 · By John Updike. December 7, 1997. In some issues of the Harvard Lampoon, over half the art work was by Updike. Drawings by John Updike; courtesy the Harvard Lampoon. In the thirties and forties ...

  2. Jan 14, 2015 · Updike’s attention to details such as Gray’s portrayal of hands or his distinct lettering style bespeaks the eyes of a fellow craftsman. The cartoonist Chester Brown once told me he loved Gray’s expressive use of hands. He was surprised when I told him that John Updike had also taken note of the same aspect of Gray’s art.

  3. Jan 28, 2009 · Dan Wasserman at the Boston Globe writes about the writer and long-time admirer of cartoon and comic art here. As previously covered on the Bloghorn, Updike was one of many well-known public figures who dabbled in cartooning but found they lacked the full set of skills necessary to survive in its competitive world.

  4. Jan 15, 2015 · “I can’t remember the moment when I fell in love with cartoons, I was so young,” John Updike once recalled in Hogan’s Alley magazine. “I still have a Donald Duck book, on oilclothy paper in big-print format, and remember a smaller, cardboard-covered book based on the animated cartoon Three Little Pigs. It was the intense stylization ...

  5. Apr 21, 2014 · During the Second World War, Updike’s mother, Linda, worked in a parachute factory, and she managed to save enough money to buy back her father’s eighty-three-acre farm, in Plowville, eleven ...

    • Louis Menand
  6. Cartoonist. After graduating from Harvard, Updike's earliest ambition was to become a cartoonist, attending The Ruskin School of Drawing and Fine Art at the University of Oxford. Updike's Mother. John Updike's mother was a writer herself and inspired Updike to write when he was young. "One of my earliest memories is of seeing her at her desk ...

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  8. Their editorial care and their gratitude for a piece of work they like are incomparable. And I love the format—the signature at the end, everybody the same size, and the battered title type, evocative of the twenties and Persia and the future all at once. INTERVIEWER. You seem to shun literary society.

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