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1. en.wikipedia.org › wiki › Jonathan_TunickJonathan Tunick - Wikipedia

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   Contents. Jonathan Tunick. Jonathan Tunick (born April 19, 1938, New York City) is an American orchestrator, musical director, and composer, and one of twenty-one people to have received the " EGOT " honor of winning all four major American show business awards: the Emmy, Grammy, Oscar, and Tony. [ 1 ] He is best known for orchestrating the ...

2. www.playbill.com › article › how-2-phone-callsHow 2 Phone Calls Changed the Life of Frequent Sondheim ...

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   Jul 7, 2023 · Tony winner Jonathan Tunick, currently represented on Broadway with his orchestrations for the Tony-nominated revival of Sweeney Todd, was Stephen Sondheim’s orchestrator of choice, arranging ...

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     Jonathan Tunick Then and Now

     Apr 13, 2021

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     Jonathan Tunick: music from "Fort Apache, the Bronx"

     Feb 16, 2016

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     Stephen Sondheim - on the Orchestrations of Jonathan Tunick

     Sep 11, 2012

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     How did you become an orchestrator - A Conversation with Broadway's Top Orchestrators

     Oct 27, 2020

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     Johanna (Quartet)

     Feb 24, 2016

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     God, That's Good!

     Feb 24, 2016

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     Jonathan Harris on Biography

     Aug 30, 2014

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     Sondheim: Send in the Clowns - Arranged by Jonathan Tunick

     Jan 9, 2019

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     Sondheim "Company" Dean Jones "Happily Ever After" Complete Live Rare Cut Song

     Aug 17, 2011

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4. www.nytimes.com › 2024/01/10 › theaterThe EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com › 2024/01/10 › theater

   Jan 10, 2024 · The EGOT Winner Behind Sondheim’s Signature Sound. For Jonathan Tunick, an early love of “Tubby the Tuba” led to a career as an orchestrator. He talks about his Sondheim partnership, and ...

5. asmac.org › videos › jonathan-tunick-in-conversationJonathan Tunick In Conversation - ASMAC

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   Nov 5, 2022 · ASMAC is pleased to present an informal conversation with legendary orchestrator, composer, and musical director Jonathan Tunick, moderated by composer, arranger, conductor Larry Blank. They will be joined by honored guest Mark Eden Horowitz who has been assisting Jonathan Tunick in the writing of his memoirs. Nov 5,2022. Duration: 2:57:40.

6. www.thisisfreshair.org › guests › jonathan-tunickJonathan Tunick | Fresh Air Archive: Interviews with Terry Gross

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   Sondheim's Orchestrator Jonathan Tunick. Orchestrator and composer Jonathan Tunick. Though best known for his orchestrations of Stephen Sondheim musicals like "Sweeney Todd" and "Into the Woods," Tunic is increasingly gaining recognition for his own compositions.

7. inside.bard.edu › news › new-york-times-profileThe New York Times Profiles Jonathan Tunick ’58, “The EGOT ...

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   Jan 17, 2024 · The short answer: Jonathan Tunick,” writes Darryn King for the New York Times. In a profile of the career of Bard alumnus Jonathan Tunick ’58, King asked many experts what, exactly, an orchestrator does. For his part, Tunick refers to his work as “lighting for the ears.”.

8. People also ask

   How did Jonathan Tunick become an orchestrator?

   • For Jonathan Tunick, an early love of “Tubby the Tuba” led to a career as an orchestrator. He talks about his Sondheim partnership, and creating a sound that “can hint at unspoken secrets.” “Lighting for the ears” is how Jonathan Tunick describes the work provided by an orchestrator.

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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   Who is Jonathan Tunick?

   • Jonathan Tunick (born April 19, 1938, New York City) is an American orchestrator, musical director, and composer, and one of eighteen of the "EGOT" – people to have won all four major American showbusiness awards: the Emmy, Grammy, Oscar, and Tony.

   Jonathan Tunick - Wikipedia

   en.wikipedia.org/wiki/Jonathan_Tunick

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   How did Jonathan Tunick create 'lighting for the ears'?

   • He talks about his Sondheim partnership, and creating a sound that “can hint at unspoken secrets.” “Lighting for the ears” is how Jonathan Tunick describes the work provided by an orchestrator. He said the orchestra can produce “its own shadings of light, darkness, warmth and texture to the music and lyrics.”

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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   How does Tunick orchestrate a Broadway show?

   • Typically, for a Broadway show of the kind Tunick might orchestrate, the composer provides the vocal part along with some form of accompaniment. That accompaniment can be a basic chord sheet, a fully realized piano part or anything in between.

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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   How did one piece of music affect Jonathan Tunick?

   • ONE PIECE OF MUSIC made a big impression on the young Jonathan Tunick: “Tubby the Tuba,” the 1945 children’s song, centers on a forlorn tuba who longs to play the melody instead of just the bass line. Much like “Peter and the Wolf,” the song highlighted the distinct characters of the individual instruments of the orchestra.

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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   Does Jonathan Tunick have a nose?

   • The short answer: Jonathan Tunick. “I seem to have a nose for the theater, and it’s really like that,” Tunick, the prolific Broadway orchestrator, said during an interview in his book-lined study on the Upper West Side. “If something works, you can almost smell it.”

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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9. www.criterionchannel.com › videos › jonathan-tunickJonathan Tunick on “Company” - The Criterion Channel

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   Jonathan Tunick on “Company” Original Cast Album: “Company” • 18m In the following conversation, recorded in April 2021, the Tony-, Grammy-, Emmy-, and Academy Award–winning orchestrator and composer Jonathan Tunick talks to Ted Chapin, author of “Everything Was Possible: The Birth of the Musical ‘Follies,’” about the art of orchestrating.