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1. www.playbill.com › article › how-2-phone-callsHow 2 Phone Calls Changed the Life of Frequent Sondheim ...

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   Jul 7, 2023 · Tony winner Jonathan Tunick, currently represented on Broadway with his orchestrations for the Tony-nominated revival of Sweeney Todd, was Stephen Sondheim’s orchestrator of choice, arranging ...

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2. en.wikipedia.org › wiki › Jonathan_TunickJonathan Tunick - Wikipedia

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   Contents. Jonathan Tunick. Jonathan Tunick (born April 19, 1938, New York City) is an American orchestrator, musical director, and composer, and one of twenty-one people to have received the " EGOT " honor of winning all four major American show business awards: the Emmy, Grammy, Oscar, and Tony. [ 1 ] He is best known for orchestrating the ...

3. www.playbill.com › article › inside-orchestratorInside Orchestrator Jonathan Tunick's Project to Make ...

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   May 16, 2024 · Orchestras are growing again, harkening back to the golden age of Broadway. Sure, they cost more, but they’ve also proved themselves to be a selling point. “Producers seem to have rediscovered ...

4. artdaily.com › news › 165759The EGOT winner behind Sondheim's signature sound

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   Jan 13, 2024 · Sondheim himself called Tunick the “best orchestrator in the history of the theater” during a 2011 video interview with Sony Masterworks. His work can be heard in three very different Sondheim musicals on New York stages right now: “Sweeney Todd,” “Merrily We Roll Along” and Sondheim’s posthumous musical, “Here We Are.”

5. www.nytimes.com › 2024/01/10 › theaterThe EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com › 2024/01/10 › theater

   Jan 10, 2024 · The short answer: Jonathan Tunick. “I seem to have a nose for the theater, and it’s really like that,” Tunick, the prolific Broadway orchestrator, said during an interview in his book-lined ...

6. www.thisisfreshair.org › guests › jonathan-tunickJonathan Tunick | Fresh Air Archive: Interviews with Terry Gross

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   Sondheim's Orchestrator Jonathan Tunick. Orchestrator and composer Jonathan Tunick. Though best known for his orchestrations of Stephen Sondheim musicals like "Sweeney Todd" and "Into the Woods," Tunic is increasingly gaining recognition for his own compositions.

7. People also ask

   How did Jonathan Tunick become an orchestrator?

   • For Jonathan Tunick, an early love of “Tubby the Tuba” led to a career as an orchestrator. He talks about his Sondheim partnership, and creating a sound that “can hint at unspoken secrets.” “Lighting for the ears” is how Jonathan Tunick describes the work provided by an orchestrator.

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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   Who is Jonathan Tunick?

   • Jonathan Tunick (born April 19, 1938, New York City) is an American orchestrator, musical director, and composer, and one of eighteen of the "EGOT" – people to have won all four major American showbusiness awards: the Emmy, Grammy, Oscar, and Tony.

   Jonathan Tunick - Wikipedia

   en.wikipedia.org/wiki/Jonathan_Tunick

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   How does Tunick orchestrate a Broadway show?

   • Typically, for a Broadway show of the kind Tunick might orchestrate, the composer provides the vocal part along with some form of accompaniment. That accompaniment can be a basic chord sheet, a fully realized piano part or anything in between.

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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   Does Jonathan Tunick have a nose?

   • The short answer: Jonathan Tunick. “I seem to have a nose for the theater, and it’s really like that,” Tunick, the prolific Broadway orchestrator, said during an interview in his book-lined study on the Upper West Side. “If something works, you can almost smell it.”

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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   How did Jonathan Tunick create 'lighting for the ears'?

   • He talks about his Sondheim partnership, and creating a sound that “can hint at unspoken secrets.” “Lighting for the ears” is how Jonathan Tunick describes the work provided by an orchestrator. He said the orchestra can produce “its own shadings of light, darkness, warmth and texture to the music and lyrics.”

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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   How did one piece of music affect Jonathan Tunick?

   • ONE PIECE OF MUSIC made a big impression on the young Jonathan Tunick: “Tubby the Tuba,” the 1945 children’s song, centers on a forlorn tuba who longs to play the melody instead of just the bass line. Much like “Peter and the Wolf,” the song highlighted the distinct characters of the individual instruments of the orchestra.

   The EGOT Winner Behind Sondheim’s Signature Sound

   www.nytimes.com/2024/01/10/theater/jonathan-tunick-stephen-sondheim-broadway.html

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8. asmac.org › videos › jonathan-tunick-score-explore-9Jonathan Tunick – Score Explore 9/19/2020 - asmac.org

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   Sep 19, 2020 · ASMAC NYC presents one of the musical theater’s most legendary figures, Jonathan Tunick. Zoom guests: Alan Bergman, Doug Besterman, Charles Fox, Gayle Levant, Marc Shaiman Long regarded as Broadway’s preeminent orchestrator, Jonathan Tunick’s credits extend beyond his legendary orchestrations of Stephen Sondheim’s shows: as a composer he has written extensively for film, television and ...